8:11 AM . 24, 2018 - 0 - [ ]
FILETI_RISD-3983

Twenty-three Apparel Design seniors at the Rhode Island School of Design showed their collections Saturday in Providence, but for the second consecutive year the event was held on Brown University’s nearby campus.

By welcoming the 600 guests to an afternoon runway show at the George V. Meehan Auditorium, and then an evening one on the nearby Ivy League campus, RISD ensured that every guest had a front row seat. This year’s talent was selected by a jury made up of Laurie Brewer, associate curator of Costumes & Textiles for RISD Museum of Art; Gill Linton, chief executive officer and editor in chief of Byronesque; William Exaros director of visual merchandising for U.S. multibrand retail at Chanel, and Neil Gilks, associate dean of Fashion, Fashion Design at The New School’s Parsons School of Design.

As an added twist, RISD department head of apparel design Lisa Z. Morgan suggested students use creative writing to further explore “the experiential motivations behind their looks,” as they developed their collections. At the beginning of the fall semester, she asked each of this year’s seniors to consider how their collections would smell if it were a perfume or scent. She said, “Writing connected students more deeply to their emotions and intentions as designers and makers.”

For Matthew Streepy’s strung-together mountaineering look, that meant, “Twangy metal, Thud of a loosened cello string, A musty attic full of long unopened boxes…” and Bryn Lourie went with an open-back knit top with a ribbon tie as, “Ocean Spray, Hibiscus, Running Shoes at the Break of Dawn, Clean, Crisp, Clear…” Persephone Bennett paired a lavender open-knit gown and chunky pink vest with “cotton candy (girlhood) rotting corpses strawberry jam bait docks (clenched fist) pastry shops (blood, six vials) sulfur…”

Over the years, RISD alum have gone on to start their own fashion design labels including Nicole Miller, Sari Gueron, Katie Gallagher, Sally Lapointe, Robert Geller, Nicole Romano, Tess Giberson, Tae Ashida and Marcia Patmos.Read more at:formal dresses sydney | formal dresses online

11:33 AM . 8, 2018 - 0 - [ ]

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There is not so much money to buy a high dress, or to rent a wedding dress worn by many people. After all, marriage is for the whole life, and it is good to keep a collection of your own clothes. How much money to do, in fact, the affordable dress can also achieve the beautiful memory.

02 dear bride-to-be, if you plan to rent a wedding dress to marry, I believe you must have started early pick try on tour, in order to find the right wedding dress pay hardships, fine work it out for a few days of the rent will be valuable, too.

03 rent cheap wedding dress over the eye, can look dress rents and often very expensive, fine calculate rent a few days maybe can buy one, in the face of such situation there's nothing to hesitate, even buy a parity at least it is truly belong to own wedding dress.

The wedding dress is a foreign product, most people only remember its beauty, but do not know its true meaning. In fact, wedding dresses can be inherited, and in many western countries, the same family members wear the same wedding dress.

There is also the custom of sewing a dress into a dress for her daughter's 100th birthday, and a wedding dress will continue in the family in such a way. It seems to me that the family is not just a wedding dress, but an endless love.

With such a good moral, do you still want to rent a wedding dress? The wedding dress is not only a dress but also a ritual, as important as the turning point of life. We long and heavy, is the best pursuit and respect for happiness, is a good expectation of life.

In fact, choosing a wedding dress is not about how luxurious and complicated it is, but simplicity is also a kind of beauty. Let the woman at the most important moment get back to nature and conquer the world with grace, because you know that all good will belong to you.

08 is the best for you, and your choice is yours alone. Leaving your wedding dress is just a matter of making your important moments more perfect and not leaving you with regrets.Read more at:plus size evening wear melbourne | formal dresses australia

10:44 AM . 25, 2018 - 0 - [ ]
GIVING FASHION TIPS Rina Dhaka at the event

Ace designer Rina Dhaka believes in straight-talk even if it becomes at times self deprecating. Even after more than two decades in the fashion industry, Rina has no hesitation to accept that she still has to struggle with deadlines and the challenge of coming up with fresh innovative ideas.

Reminiscing her foray into fashion under the guidance of legendary designer Rohit Khosla – who literally set the benchmark for Indian fashion –Rina said: “We then only had the late Rohit Khosla, who in Maharani Bagh had a tailor and a master. While he was being served juice, he also made my collection.”

This was not all as the designer also had the challenge of decking up J. Swaminathan, the famous artist. “In that very heady time, I also had the opportunity of dressing up the great artist who was a contemporary of M. F. Husain. We did one of the biggest shows ever. Based on their art, I knitted Swaminathan’s stripes in kind of a play suit, then I did it in the boots and it was very scandalous for them. I got myself all kinds of names like dare bare Dhaka. Today nothing would shock because those are normal street wear. So there has been a big change because we didn’t have an industry then,” she added while addressing students of the JD Institute of Fashion Technology at a two-day master seminar at Siri Fort Auditorium.

Rina says new design vocabulary is the need of hour in fashion. “Change in fashion is metaphorical because we are also trying a lot to revive from history. If you look at the biggest labels this season, especially Gucci, they have really brought in the 70s story back again. In fashion, change is a constant thing we all struggle with it because you are as good as your last show.”

Elaborating on this point, Rina said it may not matter to anyone if she is not able to change her methods, her look. “If I am not conforming to the season, you may not have a story for me to be presenting to your students. So change is the biggest struggle but it is part of the game,” she said.

On her tryst with Bollywood, Rina was frank enough to admit that she has worked with actors who are headstrong as well as those who are accommodating. “Like some of them are very easy like Deepika Padukone who will wear whatever you tell her to wear and there will be others who will decide for themselves like Anushka Sharma.”

Talking about her experience with a star on a film project, Rina said, “We did a movie where I was called as a stylist to do her look. She was to be a jhopdi waali ladki. However, she refused to give up her shiny Donna Karan dress and high heel sandals. So they would all laugh like this is Hindi cinema, this is the jhopdi waali girl. So a lot of them didn’t let you work but today the control is not so much in the hands of the movie star. It has shifted into the hands of the stylist.”

Her advise for upcoming designers was to be original and not follow on the footsteps of their predecessors. “Not everyone is the same. That is the biggest mistake students make in colleges. I remember when Manish Arora became such a big rage at NIFT, for years, every collection after him was like his.”Read more at:bridesmaid dress | cheap formal dresses australia

1:14 PM . 16, 2018 - 0 - [ ]

The perfect fit.

Having launched just this month, Tri Colour Federation is the newest addition to the local denim scene.

The brand takes a unique approach, aiming to bring about environmental change and awareness through its message and manufacturing processes.

During childhood trips to Thredbo, founder Josh Norbury became interested in the fragile balance that exists between humans and the natural world. It was at this time he also discovered the Corroboree frog, whose unique black and yellow markings would go onto inspire the brand’s logo, name and colour palette.

We spent some time with Josh to find out what sets Tri Colour Federation apart from other denim brands.

What inspired you to start the brand?

I want to design beautiful Australian-made clothing that gives you the fit, quality and style you’ve been missing out on. Equally, I am inspired to clean up the waste. There is so much unnecessary waste across all areas of the industry. As a family-operated business, our mission is to undertake this social responsibility. And collectively, you and I are going to look and feel good doing it.

Why did you choose the Corroboree frog for your brand logo?

The Corroboree frog is uniquely Australian. It averages 2.5cm in size and is cloaked in vivid yellow and black patterns to ward off predators – every frog’s mark is unique, just like you and I. The rarest of the bunch have splashes of alpine blue streaked across their bodies creating a beautiful tri colour pattern.

Unfortunately, the species has been decimated by disease and climate change. As a result, the amphibian is endangered with a population that numbers fewer than 100. As we establish the brand, we plan to donate a percentage of our annual turnover towards Zoos Victoria.

How have you ensured the perfect fit?

Tri Colour Federation has utilised industry experience and technological advances to create the perfect fit. Our senior pattern maker has over 40 years’ experience and is recognised in the Australian Fashion Hall of Fame.

Collectively, we’ve spent a year developing and trialling this pattern through multiple wear tests and fit models to ensure a universal fit, which suits any body shape.

The psychological effect for a customer who puts our jeans on is an immediate sense of relief that they have a pair of jeans that fits, breathes and moves functionally in unison with them. Our denim selection has a composition of elastane, which allows for a lot of stretch. Yet at the same time, the denim’s outer layer is course, ensuring quality and longevity.

You utilise Stretch Reformation Technology. Can you tell us a little about it?

Stretch Reformation Technology is very clever. Not only does it ensure a perfect fit, moulding around the body, but it also provides superior comfort. SRT was developed by our partners ISKO (the world’s largest producer of denim) for the sole purpose of providing a more sustainable solution and a better fit.

SRT reduces water consumption, electricity and detergent and ensures that the elastane never loses its retention. Therefore, the need to wash the jean regularly for shrinking isn’t necessary.

Why is environmentally-friendly production so important to you as a brand?

Our world is changing every day. The fish we eat contain traces of plastic. The air we breathe is toxic. Animals are dying out. The list goes on. It’s no longer a need to reverse the cycle, but an obligation. There’s a garbage patch in every ocean on earth, the Great Pacific Garbage Patch contains six times more plastic than plankton and it’s twice the size of Texas.

We want to do our part and contribute to the restoration of the planet to ensure that there is something left for generations to come.

Tell us a little more about your unique fabrication.

Along with our organic cotton that uses very little water, next to no chemicals and produces less waste, our recycled polyester is no different. Sourced from recycled PET plastic bottles, our mission is to reduce the amount of waste being dumped into the earth.

What’s next for Tri Colour Federation?

We are currently preparing our next range. It will feature a broader selection of colours and styles that incorporate our unique block fit.

Tri Colour Federation is also working closely with ISKO on a new denim construction that will push the boundaries of sustainability further.

Above all else, we are looking forward to building a customer base of like-minded people who can enjoy the brand and be apart of the solution.Read more at:formal dresses online | formal wear sydney

9:03 AM . 11, 2018 - 0 - [ ]

Gingham, the woven cloth in contrasting checks, has had a fashion moment in recent years. Somehow, it’s managed to become a pervasive summer style. Now it seems those checks are starting to fade.

The pattern is peaking and will likely retreat back to its status as a humdrum basic for warmer months, fashion trend analysts predict. This means that, while we’re bound to see city sidewalks laden with gingham again this summer, it may be the last such time in a while.

Last year, fashion labels latched on to gingham as their go-to print, elevating the simple pattern in all kinds of clever ways. There were giant checks, tiny checks, inverted checks, diagonal checks, long gingham dresses, halter tops, maxi skirts, bikinis—anything they could think of. Meanwhile, the ever-present men’s gingham button-down chugged onward. Fast-fashion stores picked up on the runway trend, with Asos and Forever 21 boosting the style to ubiquity.

Now mass-market stores have adopted gingham, sending the number of new gingham items skyrocketing. Last month, new gingham apparel volume doubled on a year-over-year basis. Stores such as Target Corp. and department store outlets updated their basic offerings, including shirts and blouses, with gingham. They caused a 73.8 percent spike in new items featuring the print in March, according to data from trend forecasting firm WGSN.

That’s not necessarily good for gingham. It means fashion is moving on. These days, trends tend to begin on either high-fashion catwalks or Instagram. Fast-fashion stores, such as Zara and H&M, are the first to follow, tailed by mid-market specialty retailers. Finally, it trickles down to the cheapest, most-discounted shops. Then it’s over.

The mass-market stores are “where trends go to die,” said Emma Griffin, an analyst at WGSN. The garments being sold at those stores are the simplest basics. It’s gingham in its most boring form. “It’s reached its peak,” she said.

Gingham, for decades a safe summer style, began its boom in the late 2000s as shoppers sought more casual options. Gingham’s popularity hit such a nerve that in 2014 an Instagram account devoted to photos of men wearing a particular black-and-white gingham J. Crew shirt went viral.

But as excitement around the design wanes, weakness is already evident in its most mundane form: men’s shirts. This March, new gingham in men’s shirts is down more than 20 percent year-over-year, WGSN data showed.

Even J. Crew is beginning to focus its attention elsewhere. The retailer added just six new gingham styles to its selection of shirts this year, down from 43 new looks in spring 2015, according to data from fashion analytics firm Edited. In total, the retailer has downsized its gingham shirt offering across men’s, women’s and kids’ wear by 61 percent, according to the researcher. Instead, J. Crew chose to sell lots of new gingham items in non-tops, such as dresses and skirts, to take advantage of last year’s craze.

What’s replacing gingham? Mixed checkered patterns and plaids, another timeless print with overlapping stripes. Appearances of these checks are up 15 percent year-over-year on pre-summer 2018 catwalks, thanks to such high-end fashion brands as Victoria Beckham and Red Valentino, according to WGSN. Meanwhile, gingham was relatively quiet on runways over the past two seasons. That may have been a signal.

While the fashion world may want both men and women to cool it with all the gingham, it can’t force people to give up their checks forever.

“Gingham’s always going to be around,” said Griffin. “It’s a staple.”Read more at:bridesmaid dresses | cheap bridesmaid dresses online

10:13 AM . 4, 2018 - 0 - [ ]

Little superstars created magic and dazzled on the Junior's Fashion Week (JFW) runway showcasing head-to-toe styles – from everyday casuals to dressy outfits from The Children's Place (TCP). Highlighting the theme Feelin’ all Bright, TCP showcased a glimpse of its colourful Spring’18 collection at the recently concluded fashion event in Chennai.

"The girls sparkled in dresses, skirts and embellished tops, active wear, modern jeans and shorts with extra girly details (like embroidery & lace). The boys rocked in conversational graphics, cool prints, beachy pastels with neon pops and waves of indigo, over button-downs, polos, and shorts. The extensive assortment of accessories that included hair-bands, hats, bags, sunglasses and footwear showed off just how easy it is to add a finishing touch to complete their spring outfits," JFW press release stated.

"Kids are almost the most important decision makers in families today and this part of specialty retail deserves its own dedicated platform. Hence, we are thrilled to be partnering and presenting the Junior’s Fashion Week in Chennai," said Alok Dubey, CEO of Arvind Lifestyle brands division, Arvind Lifestyle Brands Ltd., franchisee for The Children’s Place.

"We’ve recognised parents crave modern, fun and easy-to-wear kids’ clothing that combines quality, value and style. The Indian parent is no different. With our fashion-forward styles that are made with love, we intend to bring forth a fun place where moms get their stock of big fashion at little prices. With platforms like Junior’s Fashion Week, we aim to bring America’s 1 place for kids’ fashion more close and relevant to the audience," Dubey concluded.Read more at:formal dresses online australia | bridesmaid dresses australia

 
5:01 AM . 28, 2018 - 0 - [ ]

Fearless fashionista Gesuina Legaspy has made her mark in El Paso’s fashion scene by styling countless clients through her emerging career as a business owner and personal stylist.

At only 27 years old, she has owned multiple businesses including Dry Blow-Dry Bar and most recently, GAL Fashion.

Legaspy always had a passion for fashion, but never realized that she could turn it into the career of her dreams until she received a life-changing opportunity about eight years ago. Determined to learn more about the business, she knew what she had to do.

She got her start when she was 19 at Tres Mariposas, a high-end women’s clothing and jewelry store and Westside institution, which recently closed its doors.

“They didn’t want to hire me because I didn’t have a degree or any fashion experience,” Legaspy said. “But the moment I walked into the store, I knew that was me. I was in my element, my environment, so I requested an internship.”

She worked as an unpaid intern for a few months, learning everything she could before being hired as a sales person. It was at that job that she learned how boutiques and specialty stores operate.

According to Legaspy, department stores and most other clothing stores will sell clothing based on reports and trends. But when it comes to boutiques, there is a buying process. When she found out that there are markets where buyers go to pick clothing to sell at their boutiques, her excitement grew.

Curious about how the process worked, she convinced her employer to allow her to accompany them to New York City to attend a fashion market and observe what they do. She even paid her own way to assure them that she was serious about the business.

“That was when my eyes opened and I was so inspired,” Legaspy said. “I said to myself, this is what I want to do with my life, this is the career that I choose to take.”

She continued working for Tres Mariposas for six years, transitioning her position as a sales person into a buyer. Although she began by being unpaid, she knew that her hard work would pay off eventually and it did.

Two years ago, Legaspy was finally able to open up her own high-end contemporary boutique, GAL Fashion.

GAL Fashion is a women’s clothing store and is known as “The most eclectic mix of known and emerging designers in El Paso, Tx.” GAL, which stands for her initials, Gesuina Arianna Legaspy, is also a play on the word “gal.”

GAL features multiple name brands, including Versus by Versace, Frame, Mason by Michelle Mason and Veronica Beard, among others.

Legaspy prides her store on being different than many of the other boutiques out there. She wanted to separate her store from being in a competitive atmosphere, where commissions are important.

“We’re not going to sell people things just to make sales,”Legaspy said. “We’re really going to do things with integrity and style people and make them feel beautiful, because that’s the ultimate satisfaction and gratification is to see your clients in pictures or out at social events looking fabulous because we helped them do that, to build their confidence.”

She believes that creating a culture in her store of being team-oriented is what has made her business a success.

“I made sure everybody was like a team, no one had their own clients, we all share, we all help each other–that way it’s a team effort,” Legaspy said.

Paulina Seyffert, sophomore media advertising major, has been working at GAL as a photographer for seven months and loves coming to work every day.

“Honestly, the environment is super friendly, super fun and everyone is super nice. I never complain about coming to work, I love it,” Seyffert said.

Seyffert has been able to learn a lot working at GAL and under the direction of Legaspy. You can see her pictures featured on GAL’s Instagram and Facebook accounts.

GAL and Legaspy’s craft for styling have done so well that she has even gained a list of celebrity clients.

Those clients include Shiva Hadid, cast member on the E! television show “Second Wives Club,” and who is also stepmom to fashion supermodels Gigi and Bella Hadid. Meghan King Edmonds from the “Real Housewives of Orange County” has also made an appearance at the store and has become a frequent shopper at GAL.

Although Legaspy has built a solid reputation outside of El Paso, it’s her clients in the city that truly matter to her.

Women aren’t the only ones asking for special pieces. She says that every day she gets asked if she will ever sell clothing for men. At first, she didn’t believe there was a market for men, but she has started researching and will begin to incorporate men’s clothing later this year.

Legaspy strives to make sure that all her clients feel special, not only when they shop in the store. GAL offers personal styling for anyone who walks in the doors. She says that her favorite clients are those that walk in asking for styling help. The store also offers a shopping service that is delivered free of charge.

The store recently expanded and now offers an evening department, with one-of-a-kind dresses for formal occasions.

The expansion also inspired other ideas that Legaspy has turned into reality. She began the Cinderella Foundation, a non-profit organization dedicated to helping young girls find dresses for prom and other occasions, but are unable to afford them. She asks her clients to donate their gently worn formal dresses to the foundation.

Always wanting to give back, Legaspy also started a fun event called GAL brunches.

“Each brunch has a special theme, and it’s fun to see my clients dress up and mingle and enjoy themselves,” Legaspy said.

Legaspy’s go-getter attitude and passion for the business has really been a factor in her success and it only continues to grow with each idea.

Another goal of hers is to one day branch out and create specialty stores in larger cities, but for now she is focused on El Paso.Read more at:purple formal dresses | one shoulder formal dresses

 
5:37 AM . 23, 2018 - 0 - [ ]

There is a good reason the annual Macy's Spring Fashion Show at Horseshoe Southern Indiana quickly sells out.

As far as entertainment value, nothing in our area compares to the energy and excitement of this highly choreographed live fashion show that will strut its stuff Thursday as part of the Kentucky Derby Festival.

So, if you didn't score a ticket to the now sold-out event, are you out of luck? Well, maybe not. Luckily for you, Lisa Hamm, Macy’s vice president store manager, shared the top five spring trends you'll want to add to your wardrobe this season.

"Remember that spring is an excellent time to update your wardrobe," said Hamm. "It's the perfect reason to reflect the freshness and fun of the season."

You may like: Why a custom Derby hat is 'special and elegant and a little decadent'

We know this article is nowhere as much fun as actually attending the Macy's Spring Fashion Show, but maybe setting the scene will help. Before you begin reading Hamm's fashion advice, turn up your favorite pop tunes, grab a glass of champagne and visualize yourself on the runway in each of these hot trends.

Crazy for Color

Color is key and probably the most important trend of the 2018 spring season. After a long, cold and grey winter, pops of color are always welcome.

"This season we'll be wearing a refreshed palette of pinks, lilacs, yellows, and blues," Hamm said. Look for the trend to pop up on dresses, tops, bags, accessories and more.

Sensational Sleeves

Get ready. We'll be seeing an abundance of the dramatic sleeve, especially when it comes to classic dress silhouettes and tops. Bell, puff and cocoon sleeves with a more refined cuff will add just the right amount of flair to help you make a bold and flattering statement.

Ready for Ruffles

Ruffles aren't a totally new trend this year, but you're going to see even more than you did in 2017. The airy look adds a feminine touch to spring dresses and tops. From skirts to dresses, blouses to overcoats, get ready to ruffle some feathers.

You may like: If New York, Paris and Milan can do it, so can Louisville. Say hello to 'Fashion Week'

Sequins and Shine

Celebrities dripping in sequins dazzled on the red carpet at this year's 90th Academy Awards in Los Angeles. Look for the same shimmer and shine for your formal Kentucky Derby wear but also to show up in more muted ways on t-shirts and accessories. If loads of disco-like glitter isn't your thing, just add a few touches here and there to update your look.

Gold is Bold and Pretty in Pink

Gold replaces silver in everything this season, from makeup to accessories, footwear and perhaps even your Kentucky Derby headpiece.

Pink is another accent you will want to add to your spring wardrobe. You don't need to dress in the color head-to-toe but an accent piece to take with you everywhere is a great option.

"When Macy’s Fashion office was curating their must-have accessories of the season, they named the pink handbag at the top of the It List for spring," Hamm said. "From the perfect work tote, to the everyday cross body and the coveted bucket bag in shades ranging from blush to fluorescent pink."

Beyond the basics, this spring will ring in the comeback of longer Bermuda shorts, plaid, fringe and asymmetrical necklines.

Now believe us, we know that sitting in your kitchen with a glass of bubbly and Taylor Swift on your playlist isn't as mind blowing as a seat at the edge of the runway for Macy's Spring Fashion Show, but you're now armed with the freshest spring fashion advice from an expert.

So go out and shop — and we'll promise ourselves to jump on buying a ticket to next year's fashion show before they sell out.Read more at:queenieau.com | formal wear sydney

 
8:32 AM . 23, 2018 - 0 - [ ]

NATURE and beauty united in a mini fashion show at T-Galleria’s main entrance on Sunday.

A preview to the Miss Marianas Pageant scheduled for February 24 at the Fiesta Resort & Spa, the eight Miss Marianas candidates took to the catwalk for Fashion by Nature, which highlighted the natural beauty of the islands.

2018 Miss Marianas Contestants Eden Conner, Jaiden McPhetres Santos, Cris Noel Obaldo, Kaysha Aguon Cruz, Leisha Mendiola Deleon Guerrero, Chloe Parrone Salvosa, Maricris Zapanta and Celine Concepcion Cabrera had fun modeling their nature-inspired dresses.

Candidates showcased fashion from nature, including grass skirts partnered with blouses, tube tops made of leaves, head dresses and accessories made of flowers.

“We wanted to promote the pageant theme for this year, which is ‘Enchanted’, celebrating the beauty and enchantment of our local forests, diverse wildlife and the cultural traditions that weave around them,” said Stellar Marianas President Laila Boyer.

Stellar Marianas organized the Fashion by Nature in collaboration with the Commonwealth Council for Art and Culture and Pena House Boutique.

“A huge thank you to T-Galleria for hosting the show, Pena House Boutique for the fabulous outfits we paired for local and natural materials from talented artists, Gloria and Jacob, Irma Scallamera and Cris and Jun Factor, and T-Galleria’s Beauty Team for the training and make up,” she noted.

Miss Marianas Peachy Quitugua and Stellar Marianas Community Events Director Romolo Orsini emceed the Fashion by Nature show, adding glamour and fun to the program.

During the show, Quitugua advised the candidates to “be the best representation of yourself. Be confident and have fun.”

Miss Marianas recounted that when she was preparing for the pageant, she cut her intake of rice and sugar and drank lots of water.

“I will really miss all the support I get. Everything has been memorable to me. I have grown so much as a person,” Quitugua said when asked about the highlights of her reign as Miss. Marianas.

First Lady Diann Torres congratulated the organizers and hosts of the event.

“This is the first public exposure for the ladies. I think this is very good experience for these girls. It is a memory to last a lifetime. Even something small like this, it helps them with confidence and self-esteem,” she said.

The new 2018 Hyundai Elantra from Triple J Motors was also unveiled, creating an exciting buzz for the upcoming pageant.

“We love our longtime community partner, Triple J Motors, for providing the best and most stylish mode of transportation for a very busy queen who will be doing lots of volunteer work during the year,” said Boyer.

“We also had an amazing photo shoot in the lush forests of Ed’s Bonita Park on Saturday, and a super fun Slumber Party at Aqua Resort Club over the weekend—the Contestants are working hard and are closer than ever—we are super excited about the show and what we have in store for you all,” she said.

The 2018 Miss Marianas Pageant Title Sponsors are Marianas Visitors Authority, Triple J Motors, Marianas Variety and Northern Marianas College.

The main sponsors are T-Galleria, IT&E, Tan Holdings, Tan Siu Li Foundation, Iridescent Boutique, Pacifica Insurance, Island Touch, McDonald’s, TRESemme’, Hotel Association of the Northern Mariana Islands, Lady Diann Torres Foundation, Tribe Marianas and Daisuke Yanai Photography.

2018 Miss Marianas Pageant Tickets at $40 apiece are available from any of the 2018 Miss Marianas contestants.Read more at:short formal dresses | cheap formal dresses online

11:25 AM . 17, 2018 - 0 - [ ]

The first round of Miss India Khadi, an event conceived by the Government of India to promote the desi fabric, was conducted at the Chaitanya Bharathi Institute of Technology in Hyderabad recently as a part of the college’s Renaissance Fest. And the event, organised by the cultural club, was quite a hit with the students.

With patriotism being the underlying theme of the show, several enthusiastic young girls walked the ramp at this do. Speaking about the show, Sana Sultana, one of the organisers, shares, “We are so happy we could be part of a show that has such noble intentions. It has been quite an experience putting together something so elaborate.” Her co-organiser, Jay Pannara tells us, “It will be great to see our finalists going ahead to represent Hyderabad in the state level competition where they’d be competing to win Miss Telangana Khadi.”

Shaily Shaik, who was placed first amongst the four finalists, says excitedly, “I’ve been part of several shows in the past but this one is special because of the interesting idea of khadi interweaved with it. I have been an advocate of khadi myself, and wear the fabric often. But this time, I was in awe of the designers’ innovation. The overall impact was stunning.”

All the models, also students from the college, were dressed by Laxmi Sujatha Gangori and Aishwarya Gangori and fashion designing students of the Dream Zone institute.

The other finalists who will be representing Hyderabad at the state level competition along with Shaily Shaik are Menita Raju, Varsha Paturi and Komal Puranik, who were judged at the top in the event.Read more at:QueenieAu | cheap bridesmaid dresses online

8:44 AM . 9, 2018 - 0 - [ ]

NEW Year is a perfect time to update ones style and this apply not only to the ladies but so do with men’s.

A sure way to get notice is by accessorizing and for a fashion forward men bags and shoes is the perfect accessory that is a scene stealer without being to flashy.

Salvatore Mann Shoes and Bags collection is a harmony of function and fashion.

There are bags for every occasion and adventure. A Backpack is an essential, with its simplicity it well serves its function and that is to carry all stuffs in an ease. Salvatore Mann backpack is modern in design and shape without losing its function.

For men’s who loves to travel a duffle bag is substantial enough to carry everything that you need. The duffle bags from Salvatore Mann plays with colors and patterns that is unique for the holidays.

And for the men who will be working on the holidays Salvatore Mann have messenger bag and briefcase that is not left out in trend, even though it is on the corporate side its sleek lines and stylish colors is flawless.

Whether you are looking for casual suede, men’s mule to classic oxford and trendy ankle boots Salvatore Mann has it.

Salvatore Mann suede slip on shoes are comfortable, versatile and perfect for everyday wear. Ankle boots Perfect for wearing with jeans or chinos on relaxed weekends. Men’s mule slippers is a statement.

While for formal Salvatore Mann leather boots are versatile and timeless, and will see you through the holidays.

Look smart from head-to-toe or smarten up a casual look with versatile pair of slip on leather shoes or oxford with wingtip.Read more at:short bridesmaid dresses | long formal dresses australia

12:24 PM . 2, 2018 - 0 - [ ]

Alison Kelly felt she had enough on her plate dealing with her own wedding gown and all the details of her mountain getaway nuptials without micromanaging how her bridal party would dress.

So instead, she asked her maid of honor – her sister – and the rest of her bridal party to choose natural tones to honor the informal Vail, Colorado, location that she and her husband had picked for their Sept. 2 nuptials, and to wear styles that made them feel good.

“I'm surrounded by women who make their own decisions and are strong and independent. There's no way I could tell any of them what to wear. It just wouldn't even work,” Kelly laughed. “I know that they know their own bodies.”

She was thrilled with the results, a soft mix of rose blush, light red, ivory and taupe that proved the perfect complement to her own white gown. The bridesmaids wore matching rings of flowers on their heads.

While brides have been giving their stand-up loved ones greater freedom from the constraints of more traditional – often hideous – matching confections, they now seem to be taking the mismatch bridesmaid trend a step further. Matching colors in different silhouettes or identical dye lots for different styles of dresses have given way to completely different cuts, textures and colors.

The trend is well represented on the retail side. David's Bridal, with more than 330 stores in the United States, Canada, Mexico and the United Kingdom, has an online section of mismatched bridesmaids options with advice on how to make the concept work, from using the same color in different styles to choosing wildly different fabrics, lengths, silhouettes, colors, prints and embellishments.

One suggestion from the company: Select different shades of the same color, but include light, medium and dark shades to allow for an ombre gradation. For large wedding parties, mix in some pale neutrals that will offset the overall palette.

While mismatching is more visible these days, it hasn't completely taken over. According to the most recent Bridal Fashion Study by the wedding site TheKnot.com, done in 2015, 51 percent of bridesmaids still wear the exact same dress as others in their wedding party, while 33 percent wear the same color in different styles, 11 percent wear different dresses and 5 percent wear the same style in different colors.

Shelley Brown, fashion and beauty editor for The Knot, said the idea of mismatched bridesmaids dresses is picking up speed as more brides look for ways to personalize their weddings.

Complete freedom of choice can go wrong, so Brown suggests that brides provide some broad guidelines. “Offering no guidelines can create a more stressful process for the bridesmaids,” Brown said. “So don't just say, oh, buy a blue dress. Is it strapless, is it floor length, what material is it, what shade of blue?”Read more at:bridesmaid dresses online | formal wear sydney

5:19 AM . 19, 2017 - 0 - [ ]

So, with this in mind, here are the key trends from London’s A/W 2017 fashion week for you to try out using whatever is in your wardrobe or that you can pick up from the high street.

Statement pockets

A place for keys, chewing gum, lipstick, your purse and everything in-between, pockets were truly in the spotlight at AW17’s London Fashion Week. Dresses, coats, trousers…everything seemed to have pockets on the catwalks and we’re loving the idea of leaving the bag at home and embracing this trend this season.

How you can recreate this look: Women’s parka coats are the easiest items to wear featuring deep pockets to keep all your personal items safe, this season’s range from Superdry is tapping into other fashion week trends too, with metallic finishes, deep reds and plenty of faux fur to choose from. Wear your parka with a pair of your fave throw on jeans and some crisp white trainers to finish.

Winter florals

Christopher Kane worked with satin florals on the AW17 catwalks, adding the print to dresses with brightly coloured patterns that look as if they have been taken off the wall of a stately home.

How you can recreate this look: The best way to achieve a look like this is to buy yourself a botanically inspired midi dress, one that hugs the body and shows off all your curves. Print wise this will go with anything from a nice pair of heels to high top trainers and a light jacket.

Innovative Velvet

This is the biggest fashion trend to take away from London Fashion Week, as every designer took on the material in some way. Printed velvet was seen in every colour from vibrant fuchsia to burnt orange to burnished yellow and faded violet.

How you can recreate this look: Velvet is a thick fabric and can be really figure hugging and body flattering so looks great on its own with a good looking jacket thrown on top. If you’re enjoying layering this season, wear a velvet dress over a collared shirt with the collar peeking out around the neckline. Complete the look with a pair of tights and ankle boots.

(Un)complementary Colours

Unorthodox colours were a popular choice at A/W17’s fashion week. Roksanda featured a mixture of different colours for its catwalk styles with bright blues, autumnal browns and chestnut shades all incorporated into one outfit.

How you can recreate this look: Mixing unusual colour palettes makes for a perfect winter outfit when layering up. You might find this a little difficult to put together but with some careful thought you can most definitely pull it off. Be sure to embrace bright block tones and colour clashes. Choose an oversized, brown plain t-shirt, a faux fur sleeveless gilet, a floaty brown skirt and some boots then finish with a bright blue coat.

Everyday Tweed

Tweed has a very high end reputation and is designed mainly for autumn and winter and thanks to London Fashion Week it has been combined with everyday pieces for looks you can wear whenever. Oversized, tweed hoodies were seen on the catwalk, combined with floral prints and colour popping accessories.

How you can recreate this look: A floral dress already in your wardrobe, combined with an oversized grey hoodie makes for a simple lounge style that can be given an instant update with a bold red clutch and leather ankle boots.

Look catwalk ready every time you step outside your front door - on a budget!Read more at:QueenieAu | bridesmaid dresses

11:57 AM . 24, 2017 - 0 - [ ]

Now that winter is here, its time to add another layer to your outfits. Capes, which stood out as the favourite of celebrities last year, is all set to rule the winter again this season so get hands on the right trends, say experts. Sneha Mehta, founder, Kukoon the Label, and Priya Sachdev Kapur, founder, Rock N Shop, share expert tips on which type of cape one should wear.

* Vibrant rhythmic silk capes: A cape with your Indian outfits will just look out of the box and will make your fashion quotient soar. So let silk capes enrich your wardrobe fashionably before winter overtakes you.

* Animal prints: The animal print winter essentials has a strong game for the season, but covering oneself with the same print looks drab. Going glamorous with shades of soft beige and baby pink instead makes bold statement that won’t fail to make a lasting impression.

* Inhale courage: For those quirky winter parties, wear dramatic capes with your dresses or your pants, and you can be the star of the show. For example, one can go for a deep teal velvet colour with a bold print which combines an impact and a luxury that has a mystery about it.

* Go timeless: For those cold office meetings, where a bomber jacket doesn’t go well, one can always go for sober timeless capes. The simplistic design works great and leaves an understated impact to any event to you choose to wear it on. One can also enhance the timeless glamour by adding bold earrings to your look.Read more at:bridesmaid dress | formal dresses

12:28 PM . 21, 2017 - 0 - [ ]

Grace, elegance and needlecraft shimmer - these are some of the hallmarks of designer Sonaakshi Raaj's creations. A firm believer in catering to people with a sense of style, irrespective of age, Sonaakshi is a Bollywood favourite with names like Deepika Padukone, Kriti Sanon, Sonam Kapoor and Jacqueline Fernandez figuring in her client list. She was also the stylist for movies like 'Heropanti' and 'Munna Michael'.

Her collection was recently exhibited at the fashion and lifestyle exhibition 'Divalicious', the brainchild of Vanita Bhatia, that was held in the city for the first time. The celebrated designer spoke to Rajitha Menon about her new collection and more.

What would be a quintessential Sonaakshi Raaj creation?

A quintessential Sonaakshi Raaj creation would be a form flattering, drapey or structured feminine yet sexy silhouette.

When did you know that you wanted to be in the fashion industry?

Ever since I was a child. Way back, during the early years of my schooling I realised I wanted to be a designer.

What is your idea of style?

Style is always about one's personality and never about trends.

If you could recreate an iconic look by giving it your own twist...

Speaking of iconic looks the first thing that comes to my mind is Julia Roberts in 'Pretty Woman'. I loved the cut waist bodysuit with shorts and thigh high boots. Maybe I could give an evening look to the silhouette by giving it a black pallet and adding chrome studs.

Favourite celebrity muse?

It would be difficult to name just one. Each woman that I have designed for has a special place because of their distinct personality and sense of style. Some of them are Deepika Padukone, Sonam Kapoor, Jaqueline's Fernandes, Malaika Arora and Bipasha Basu.

Tell us about your new collection.

My new collection 'Skin' can be described as modern whimsical line. It is a peep show with embellished sheer silhouettes that weave like a dream around a woman's body. It has our signature elegance with eloquent drapes.

Misconceptions that people have about a fashion designer...

That it's a glamorous life. But there's a lot of handwork, challenges and hours of endless work that goes into it. But then, life wouldn't be fun without challenges.

What garment would you personally be most uncomfortable in?

May be a bikini. But I'd love to design them.

What do you do in your free time?Read more at:formal dresses online australia | formal wear brisbane

5:21 AM . 16, 2017 - 0 - [ ]
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(Photo:formal dresses australia)

As we take to winter-wear alongside using more energy at home, we approach the annual British Fashi on Awards at the Royal Albert Hall. The British Fashion Council (BFC) along with designer Vivienne Westwood and the Mayor of London, Sadiq Khan, has recently launched the SWITCH campaign.

This is an attempt to reach out to UK fashion brands and businesses to "commit to switch" to a green energy supplier by 2020.

The target of 2020 follows from the Paris Agreement (within the United Nations Framework Convention on Climate Change) whose goal it is to prevent what scientists regard as dangerous and irreversible levels of weather system shifts. Yet there is always scope for more positive green input.

London Fashion Week (LFW) ended on its usual positive high, post annual pomp and ceremony, parties and people, plus fabulous collections. However, the hoped for eco element was less evident.

Ecological design

Admittedly, fashion is a complex area in a challenging economy. The industry, it could be said, appears to 'have had its own way' for years. Designers are also under pressure to create collections for catwalk and shop-floor with few resources. Further, financially strapped designers and students are, for example, gifted furs from furriers. Whilst none of this is new, there are signs, albeit slowly, some things are changing for the better.

Green, sustainable, ecological, ethical, cruelty free - and the several other descriptors which umbrella this gargantuan area - are each subjects in themselves, often overlapping.

With a focus on fur free and eco(logically) friendly fashion, put succinctly-conserving an ecological balance by avoiding depletion of natural resources, meant this would be a challenging task to explore.

It's several tentacles wind into an ocean of actual and metaphorical hazards, contradictions, pollutants versus cruelty free, financial versus human/environmental cost, concept versus conscious materials, ultimately setting sail into a quagmire which in part, may be why sectors of the industry and several designers appear to have stagnated when it comes to sustainability. It is 'the elephant in the room,' not many are willing to address. Or perhaps can. Though some are

Whilst the elephant appears to be the glamour sets 'go to' species to save, 'Elephantasia' is all about Fashion For Conservation,(FFC), an organisation whose considered holistic approach, aims to protect the elephant and environment, alongside using ecological design and fur free fashion.

Beautifully beaded

Consciously drawing in a range of international designers, its team adroitly use their creativity, connections and skills in the industry to engage brands with their ethos and events. Up-cycling materials such as tablecloths and kimonos, and championing cruelty free products including pineapple leather.

Designers are dedicated to the collection and sustainable reuse of fashion, textiles, and accessories. Pertinent given that, according to the Departmern for the Environment, Food and Rural Affairs, the UK purchases over two million tonnes of clothing yearly, discards a million and with half going to landfill.

And 90 percent of clothing in British shops is imported, so our activities have significant overseas footprint, particularly in India, China and other developing countries.

Unsurprisingly, emphasis for green designers is therefore upon local design. British designer Deborah Milner's work has long term, pioneered sustainability, whilst encapsulating the fashionable with the ethical.

Her collection 'Regenerating the Reef', collaborated with the legendary Cousteau Foundation (with Celine) creating accompanying ocean themed jewellery, alongside Milner's designs such as an anemone inspired dress intricately and beautifully beaded and 'Tea Coral' dress which uses natural dyes derived from plants or tea.

Plumage-like

Her work incorporates recycled and cruelty free materials, for instance the silk is reeled from empty cocoons when the silk-worms have finished transforming into moths and escaped the cocoon. But hers is a rare and accountable approach to source and workers and reflected in its price point as Couture.

The planet has resource restraints and 'natural' materials such as cotton (with its own pollutants) will likely be costly in the future. At the same time, buyers in the industry supply chains will often opt for the least expensive materials.

Sustainability is a niche market and having progressed from the dippy hippy image, or merely worthy cause, still needs to go beyond 'green-wash'.

Fashion Scout platforms established and new creatives as part of LFW and hosted Indian designers Rocky Star and N&S Gaia, each of whose collections incorporate recycled and pollutant free fabrics without compromising on style.

With celebrity clients, the 'Rocky Star' theme can be in keeping with the natural world, presenting peacock prints and recycled denim plumage-like long-tailed dresses.

Economic uncertainty

Somewhat ironically, fashion frequently takes inspiration from 'nature' - so surely its pertinent to 'pay back' or at least better consider environmental impact?

As Ava Holmes, one of Elephantasias founders states: "Hundreds of endangered and threatened species listed under the UN Red-list are poached daily for their rare skins, fancy feathers, and exotic furs.

"Who are we to decide that we deserve to wear their feathers, leathers and furs more than they do? To put our impact in perspective, fashion is partially responsible for the fact that nearly a quarter of all mammals, a third of all amphibians and a half of all reptiles are approaching, or are already, extinct today."

Nevertheless, eco fashion is an anathema in the industry and though here to stay, its ethos subjects it to being undermined, with designers and industry not always receptive to scrutiny.

There is political and economic uncertainty. But often during times of hardship fashion thrives. This means that cheaper, throwaway 'fast fashion' is far from finished. However, in an age of growing independent ethical businesses, there are hopeful signs. Research suggests that 48 percent of female young Millennials are interested in retailers using more eco-friendly fabrics (Mintel, 2017).

Fur farming

PETA (People for the Ethical Treatment of Animals) takes a vegan stance and so excludes products such as wool and leather, citing several studies showing these products are polluting and cruel.

PETA campaigned live at LFW and called on the BFC to ban fur. It commissioned a poll of the designers featured during LFW which revealed 86 percent did not use fur in their 2016 collections.

The BFC states that: "The BFC does not dictate what designers can or cannot design and has no control over their creative process. We encourage designers to ensure that if they choose to work with fur, they work with reputable organisations that supply ethically sourced fur."

There is now some evidence that several supposedly ethical fur farms in Europe and North America being are in fact a 'law unto themselves', with animals suffering in wholly unacceptable conditions.

Fur farming has been banned for 20 years in the UK. PETA wrote to the BFC's chief executive in 2016 and yet to receive a reply.

Recycling technology

As a global platform, LFW could make a stand and ban fur altogether as PETA suggest. Ultimately the reality of fur is possibly too great for the wider industry to contemplate or care about. But as an animal loving nation, campaigning and consciously, individually choosing not to wear fur could become the norm. Including 'vintage'.

Clare Lissaman from the Ethical Fashion Forum points to findings from the Faunalytics (2012) study on the environmental impact of fur. "Compared with textiles, (mink) fur has a higher impact on 17 of the 18 environmental themes, including climate change, eutrophication and toxic emissions".

However, Lissaman notes alternatives such as fake fur, made from oil and synthetics, also have a high environmental impact and don't bio-degrade even when they can be recycled.

Technically, and in the future, fake fur could be made from recycled yarn, particularly given oil's epic impact of not dissolving in water, forming sludge which suffocates fish, prevents marine birds flying and blocks light from photosynthetic aquatic plants.

Fortunately, fashion schools and the BFC are encouraging students to develop methods to consider the environment and Lissaman points further to established sustainable companies like Worn Again, who are developing recycling technology, closely watched by brands.

Provocative, unapologetic

Realistically, designers and the (wider) fashion industry are likely to attain only certain elements of this ethos and ecological concerns. Athough ethical brands, such as Green & Blacks, sponsoring LFW is a positive, factors such as profit, cost, consumer demand, leather being regarded as a by-product and the very premise of Fashion Week, would make a wholly eco, cruelty free or sustainable faschion event impossible.

And it would require an overhaul of the industry, which is in fact a behemoth of related industries. The UK's £66 billion fashion industry accounts for six percent of UK's market (Fashion United, 2017).

LFW is attended by an influential and international audience including media, buyers, bloggers, forecasters and celebrity influencers, and therefore has the means to communicate to a worldwide audience, including through social media.

The UK is known for being edgy and for its ceaseless exploration, delivering experimental street fashion and encouraging a 'British' style and creative force that is unmistakably London. Provocative, unapologetic and cutting edge.

The BFC have future plans to support sustainability. This is an incredible opportunity for the industry to work together - with greater partnerships between diverse bodies which today are possibly regarded more as agitator than ally.

Surely this is part of Fashion Week - paradoxical and on a platform which speaks its mind to many whilst not solely serving the few. The industry has much to celebrate. It platforms a huge array of talent from the UK and beyond. With such a thriving, innovative industry we have consciously considered opportunities to make bigger and bolder pledges for a future of better, braver and more diverse deeds and dialogue.Read more at:formal wear melbourne

11:30 AM . 13, 2017 - 0 - [ ]

Rasa in Sanskrit connotes a concept in Indian art about the aesthetic flavour of any visual, literary or musical work, that evokes an emotion or feeling in the reader or audience, but that cannot be described. It is the essence of the art form. This art form will be presented by artists Avind Ganesh, Damian Moore and SahFyhr at 101 Art Gallery launching on November 17.

A release said there are nine types/emotions of Rasa in art known as the Navarasa. For the purpose of this exhibition, the artists will portray these various Rasa through the concept of the three dynamic virtues (Tri Guna) in Hinduism namely, Satva (harmony/goodness); Rajas (passion/activity) and Tamas (chaos/darkness).

SahFyhr is a henna and multimedia visual artist from Trinidad specialising in organic body arts, paintings, paper quilling, edible art decor and design. Her work has been described as an “experience” and heralds a focus that feels familiar, but definitely strikes out on its own unbeaten path.

“Heavily inspired by love, colour and culture, the range of her artistic work reflects her passion for the diversities of her Caribbean upbringing,” her artist statement said. Since graduating in 2002 from the University of Maryland, she has been dedicated to finding her unique artistic voice. Her love for colour has allowed for her body art designs to be translated into vibrant, dynamic and eclectic original artworks, such as the ever intriguing paper quilling art, 3D paintings, ceramics and other multimedia creative works. SahFyhr hopes that as she continues to express her love of embracing our Caribbean diversities through her work, she can continue to open minds and inspire all who are able to experience them.

Avind Ganesh is an art teacher from Central Trinidad who believes that art is the beauty with the ability to heal the wounded soul. Staying true to his Asian heritage, Ganesh often creates contemporary masterpieces infused with the modern touch suitable for all tastes. His Trini roots are evidenced by his use of vibrant colour and rhythmic patterns in his pieces.

Ganesh has been exhibiting since 2014 and prior to this, his pieces have been shown at the Piarco International Airport and the Central Bank alongside several famous local artists in commemoration of Indian Arrival Day 2012 and 2013 respectively.

Damian Moore has a BA in fashion design at Caribbean Academy of Fashion and Design (CAFD) at UTT and a degree in Fine Arts from the University of Guyana. He manages his own brand under the label, Damian J Moore. His work portfolio includes fashion designing, original paintings, handmade bags, fashion accessories, and decorations. His diversity has led his works into many directions focusing on his culture and human nature.

Moore believes his work goes beyond the canvas to reflect the human ‘need’ to rise against the odds.

“In our personal struggles we are surrounded by darkness, which in my mind is like war, hurt, death etc. We need to break free,” he said. “I also looked for inspiration from the Goddess Saraswati, the Hindu goddess of divine music and wisdom, and discovered that there is a need for wisdom and learning in our personal life and in the world.”

Apart from the exhibition that runs until November 25, the trio will be hosting workshops that explore art, life and the respective backgrounds and training of each artist.Read more at:year 10 formal dresses | sydney formal dress shops

12:30 PM . 10, 2017 - 0 - [ ]

The latest cult brand to announce its intentions to turn vegan is Hourglass Cosmetics with claims it will be 100 per cent vegan by 2020. We love the brand for its soft highlighting powders, lipsticks, famous Veil Mineral Primer. So now we really just have another reason to buy it.

CEO and founder Carisa Janes told Vogue of her commitment to thevegan path, "This begins with our commitment to creating cruelty-free products and ultimately being the first completely vegan luxury cosmetics brand in the world. It is not a simple solution, but we are dedicated to putting in the time and effort it will take to find vegan alternatives for our product formulas."

So what defines a vegan product?

Vegan beauty and cosmetic products are free from animal testing, animal ingredients and animal-derived ingredients (including insect extracts, bovine uric acid and beeswax).

The list of reformers is growing as beauty companies tap into what the beauty consumer is now demanding – beautiful products that are ethically made (and that work).

Cult favourite Kat Von D is also an adopter, building on her 100 per cent cruelty free platform, African Botanics, bareMinerals, Chantecaille, Dr Dennis Gross, Drunk Elephant, Dermalogica, Eyeko, Goldfaden MD, Korres, Lipstick Queen, Urban Decay, Mecca Cosmetica are just a few vegan-minded brands. Meanwhile Australian brands such as Jojoba Australia, Sodashi, frank body, and Aesop and Grown Alchemist are ones to add to the cart.

One way to ascertain if a product is vegan is by looking for independent accreditation and logos issued by Vegan Action and The Vegan Society or having approval from PETA Australia or a listing under the vegan category here.

If you are unsure of a vegan beauty brand's ingredients or credentials list have a look at Environmental Working Group which is an independent organisation that conducts research on beauty and cosmetic products and the ingredients in them.Read more at:QueenieAu | plus size formal wear

12:34 PM . 9, 2017 - 0 - [ ]

There’s an undeniable connection between fashion and the environment. The fashion industry is one of the largest in the world, and the natural resources required to fuel this is massive. Since the impact it has on this, as well as other chemicals, pesticides and manual labour, is so intense, it is the need of the hour for industries to create fashion responsibly. As the number of consumers who demand transparency, organic material and recycled fibres, is increasing day by day, it is only evident, that the world of fashion is experiencing a much-needed shift. Each of us is accountable for our surroundings and its high time we take charge. Sustainable fashion is the future and today, we’re taking lessons straight from the source of the finest fashion brands – The Woolmark Company

Manufacturing exemplary wool, in order for brands to create stylish products that are 100% eco-friendly, is something The Woolmark Company is known for. As the name implies, it is the global authority of wool that is completely biodegradable, natural and renewable. Here are 5 reasons why the Australian company is noteworthy and relevant in today’s market.

As The Woolmark Company works towards positioning wool in its rightful place, as one of the world’s most versatile, luxurious, practical and best-loved natural fibres, their drive to understand consumer needs is fierce and on point.

A fibre from the land, produced by the simple mix of fresh air, sunshine, grass and water, The Australian wool is lovingly cultivated by generations of Australian woolgrowers, who nurture every step of the growing process to deliver one of the earth’s finest and most precious fibres.

The Woolmark Company recently launched a washable wool campaign, with the tagline Tested by Nature; Tested by Usto reinforce the message that wool is easy to care for, and help align consumer perceptions to the modern wool garments available.

Fashion designers across the world are continuing to fall in love with the fine quality Merino wool that Woolmark produces. This provides them with a perfect blank canvas full of infinite possibilities that is as eco-friendly as it gets. Obviously, the more sustainable fashion created, the more awareness.

As one of the world’s most well-known companies, the Woolmark logo has been applied to more than 5 billion products since the creation of the original mark in 1964. Consumers can be assured that the products which carry the mark have been rigorously tested and awarded with a mark of independent quality endorsement.

Recently, The Woolmark Company and Kullu-based handloom weavers collaborated for a ‘Wool in Handloom’ showcase in the Valley of Gods, Kullu. This was when celebrated fashion designers Dhruv Vaish and Sonal Verma presented 30 stunning menswear and womenswear looks, highlighting Merino wool as an eco-friendly versatile and dynamic performance fibre. Another notable event was The Woolmark Company in association with Raymond launch – ‘Khadi in Wool’, at an exclusive ceremony at Australian High Commission, highlighting the Indo-Australian partnership of true warmth. A stellar fashion show that showcased the startling new collection of designs crafted from this latest Khadi Wool collection, was highly appreciated, as it highlighted the first of its kind collection in pure Merino wool and blended wool collections.Read more at:formal dresses online | bridesmaid dresses australia

11:43 AM . 31, 2017 - 0 - [ ]

Breast cancer survivors modeled designer garments at the fourth annual Hope on the Runway in order to raise awareness about the importance of early breast cancer detection.

Organized by Fa-Boob-Licious; a non-profit breast cancer advocate group, Hope on the Runway showcased fashion through the eyes of breast cancer survivors of all ages.

The event took place at the Tobin Center for the Performing Arts on Friday Oct. 27 and featured music by the XFactor band, poetry reading and a silent auction.

“Hope on the Runway originated in 2013 while brainstorming amongst our team on ways to raise money and create awareness,” said Jovahna Gonzalez, vice president of Fa-Boob-Licious. “I have always been interested in fashion, production and entertainment, so I suggested us doing a fashion show. After a year of consideration, our organization agreed to give it a go and Hope on the Runway came to fruition.”

This year, Hope on the Runway’s model line up included 23 female survivors and one male survivor, all in different stages of cancer treatment.

“The ultimate goal of the event is to raise funds, awareness and to deposit in our breast cancer survivor models love, confidence, motivation and significance,” Gonzalez said. “The biggest reward is to see the smiles and lasting memories this evening brings to our survivors.”

After announcing a model call-back in August, the non-profit group selected the 24 models through a drawing.

“We feel that each individual story is worth sharing and worthy of praise for their courage. Unfortunately, we can only pick 20-25 at a time. We find that this is the best way to give them all a fair chance,” Gonzalez said.

Julian Gold and M. Andrews Sartorial Luxury Collection provided the clothing worn by the survivors during the outdoors fashion show, whose theme, “A Moonlight Affair,” set the tone for the elegant and fashionable evening.

“What we look forward to the most is the event coming to complete fruition, full with individuals who support our models, organization and our mission,” Gonzalez said. “We have grown in venue size, production, sponsorships and partnerships. Our personal expectations and that from one another are at another level that they might have not been before.”

As part of a series of local events taking place throughout Breast Cancer Awareness Month, Hope on the Runway aimed to increase awareness in San Antonio about the significance of timely breast cancer detection through screenings and self-examinations. The event also encouraged health and wellness and assisted families with support and resources that will help through their breast cancer journey.

“The San Antonio community has embraced this event in ways that we never imagined. We have major corporations sponsoring, individuals making donations, companies purchasing seats for survivors and their families. We have city officials, local athletes and musicians in attendance and the number of supporters grows every year,” Gonzalez said.

This year, Fa-Boob-Licious teamed up with Pink Warrior Angels, a non-profit group that provides an angel of support to newly diagnosed breast cancer patients.

“I pray and declare Hope on the Runway going to a whole other level,” Gonzalez said. “I believe that if we continue to put in the effort as a team, we can make this event an official city event and possibly spread awareness in other cities and states.”Read more at:evening dresses adelaide | formal dresses online

8:55 AM . 25, 2017 - 0 - [ ]

Some 90 Qatari brands out of the more than 150 international brands will take part in the 12th Heya Arabian Fashion Exhibition from November 3-7 at the Doha Exhibition and Convention Centre. The number of Qatari exhibitors represents a 25% increase in local designers this year compared to the previous edition of Heya.

The event, held under the patronage of HE Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani, will showcase a wide range of abayas and modest fashion brands from emerging and established designers from 12 countries. These include Qatar, Kuwait, Oman, India, Turkey, Lebanon, Indonesia, Morocco, Hong Kong, Spain, Germany and Italy, organisers have announced.

Speaking at a press conference yesterday, QTA’s festivals and tourism events director Mashal Shahbik said they are fully supporting Heya as part of their strategy to bolster and grow the business events sector in the country.

“We have worked closely with our partners at Design Creationz to ensure this edition of Heya provides a solid platform for local emerging and established businesses, designers, and institutions to enrich and offer well-rounded experience to our visitors,” she noted.

She cited HE Sheikha Mayassa’s “generous support’ to this exhibition, which demonstrates her keenness to shed light on Qatari culture and traditional design at its best.

Heya, Qatar’s biggest platform for contemporary Arabian fashion creations launched in 2007, will hold a Qatar National Day catwalk show hosted by local designers.

In collaboration Virginia Commonwealth University in Qatar (VCUQatar) and Qatar Business Incubation Centre (QBIC) led by CEO Aysha al-Mudahka, the event will also hold numerous fashion shows, workshops and panel discussions with experts who will be talking about various topics such as fashion marketing and finance, and how to start a fashion business, among others.

French-Algerian model, actress and filmmaker Farida Khelfa will speak about empowering women to achieve in fashion, the arts and other fields while two German designers will host a fashion show of their collection before holding a discussion, which forms part of the Qatar Germany Year of Culture.

Two Italian designers will also showcase their collections as part of a new partnership with the Italian embassy in Doha.

The exhibition will also offer shoppers and visitors unique collections from high-street apparel, couture and luxury, to the latest modest fashion evening gowns, leather accessories, and for the first-time, perfumery and make-up.Read more at:formal dresses sydney | year 10 formal dresses

12:25 PM . 19, 2017 - 0 - [ ]

I am a firm feminist and I believe that women should be able to dress and act however they choose. Women should not be discriminated against based on how they look or their conformity to a certain image.

So I was truly disappointed in myself when I arrived at Duke and singled out some of my classmates with the assumption that they were less intelligent because of their appearances. Somehow, the insidious belief that prettier women are intellectually deficient had wormed its way into my mind.

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Girls who are more social, wear more revealing clothing and are more physically attractive are often deemed to be stupid. Even at Duke, where we tout our high test scores and low acceptance rate, the stereotypical pretty girl is looked down upon. But while this type of girl is discriminated against in academic settings, she is praised outside of the classroom. At parties or Shooters or social events, pretty and scantily clad girls receive the most attention and admiration. A dichotomy has arisen in which women are supposed to fit two roles simultaneously: a serious student and an appealing “object.” Women are forced to straddle these expectations, and they impede female success in a manner than males do not experience.

Attractiveness is evaluated very differently based on gender. Women who smile more are rated as better looking, while men who smile less are viewed as more attractive. Fat women are less likely to succeed in elections than overweight men. Beautiful women are also seen as having an advantage in professional or academic settings. Attractive women are more likely to be hired than less physically appealing female candidates. Despite this, a double standard exists—the intelligence of attractive men is never questioned based on their appearance. However, the “dumb blonde” stereotype still plagues our classrooms and workplaces.

Women are presented with a choice to either receive validation based on their adherence to a beauty standard or on their projection of a serious appearance that supposedly signals competence. As a society, we like “smart” women to resemble the serious men we respect or be attractive enough that we forgive their perceived deficiencies in intelligence.

Even beyond that, we are often unable to forgive a woman who dares to focus on her career over her appearance. Politics aside, Hillary Clinton’s cankles and pantsuits played much more of a role in criticism of her campaign than did any male politician’s appearance for his respective campaign. A study from the 2012 election found that when a female candidate’s appearance was complimented, she was actually less likely to win. Sarah Palin’s outward appearance was used to cast her as ineffective, even though she was praised as being better looking than Clinton.

One study shows that beauty is only an advantage to women applying to non-managerial jobs, while men face no such discrimination. Researchers use the term “beauty is beastly” to describe the disadvantage that beauty created for women applying to managerial jobs. Women often recount being discriminated against based on their appearance in the workplace or in academics. Women have to prove their intelligence before they are viewed as valid contributors.

Another study found that people can more accurately rate men’s intelligence based on their attractiveness than they can women’s in a setting meant to evaluate academic performance. These studies show that our society loves pretty women, but will not allow them to reach the same level of success as their male counterparts. We refuse to accept that a woman can be both attractive and competent, especially if her interests err towards fashion, makeup, or socializing. At Duke, we know everyone is intellectually gifted, but we systematically devalue female students who cater to a certain image regardless. Beauty is shown to have its perks, but for women, only to a point.

How can we expect women to be employed at the same rate as men as CEO’s and politicians when we cannot even look beyond their outer images? Little girls grow up being told both to succeed academically, but also, and seemingly more importantly, to be beautiful. How can we pressure them to pursue these goals when we are unable to respect a woman who achieves both?

Girls should not have to spend extra time proving their worth in the classroom simply because they choose to present themselves in a certain way. A lot of people, often women, disregard this issue because they resent the admiration pretty women receive. This issue is part of a larger, trickle-down effect where all women are judged solely based on appearance. When we marginalize women because of their beauty–or lack thereof–we lose valuable perspectives. We should not discount any woman based on her physical attributes and instead focus on the skills and opinions she offers.Read more at:QueenieAu | bridesmaid dresses online

10:09 AM . 18, 2017 - 0 - [ ]

Hyderabad is no Mumbai in its fashion sense, but big designers are saying hello to the city of pearls these days. While the Hyderabadis have their own unique sense of attire, often mixing the traditional with the chic, a big number of international brands and renowned Indian designers are now changing the game here. On the other hand, city-based designers are going places, and, as a result, the Hyderabadis today have a whole lot to pick from.

In the recent times, big designers like Shantanu & Nikhil, Anju Modi, Ritu Kumar, AM:PM, Falguni and Shane Peacock have opened their retail stores in the city adding to the list of ever-increasing designer brands like Sabyasachi, and Raghavendra Rathore. Having been in the fashion industry for decades, they finally chose Hyderabad as one of their destinations.

Internationally acclaimed fashion designer Sashi Vangapalli, who debuted at Lakme Fashion Week 2017, says that it is good that these designers are coming into the market as that will give a chance for people to know and understand fashion better. She says that it is always good to welcome others.

“This way, we will also get to know the trends and it will help us to take fashion to the next level,” she adds. Sashi says that there is competition, and these new interenational-level brands coming up in the city is only beneficial for all. She feels that being on par with the big players is a big thing and she has successfully achieved it. “It always feels great to be on the top, yet there is so much more to do and learn.”

While this is what Sashi feels, another internationally-acclaimed city-based designer Ganesh Nallari says that every designer has his/her own style of working, and a particular clientele.

“While it is good that the market is opening up, it has its own advantages and disadvantages,” he adds. Ganesh specialises in customisation, and he feels custom-made clothes are here to stay. “Usually, when it comes to clients, there are some people who spend about 3-4 months to get a single outfit, because they want something that reflects their personality,” he says.

Ganesh adds that he does not mean to say that readymade outfits do not have any special touch. “And even if we have competition, it can only be a healthy one,” he adds. The designer says that the biggest problem for any designer now is to handle the issue of unique designs getting copied by commercial establishments. Designers, both local or global, should come together to fight this problem, he says.

With designs and designers growing bigger, the fashion trends in the city are expanding. And with more options to pick from, the customers will surely put in some thought before they lay their hands of these beautiful creations.

Popular fashion designer Architha Narayanam says that every business has ups and downs. “In fact, without that healthy competition, there is no motivation and willpower to do better,” she adds. Architha says that their presence should not make much of a difference as the Hyderabadi designers have their own strengths and skills. “These stores can only offer readymade clothes, while we designers give customers something customised,” she adds. She says that the pricing factor also plays a prominent role. “Even if the customers buy one or two outfits from them, they will always come back to us,” she concludes.Read more at:bridesmaid dresses online | www.queenieau.com

8:26 AM . 14, 2017 - 0 - [ ]

What words usually come to mind when you flip through an issue of “Vogue” or “Harper’s Bazaar?” They are likely related to “objectified” or “elitist.” Meanwhile, “accepted,” “empowered” and “excited” are all popular choices when people leaf through Alexandra Hehlen’s brainchild, “Coulture Magazine.” Hehlen is a senior at the University of North Carolina, majoring in journalism with a minor in business. While she originally came to UNC to pursue a degree in international relations, she was unable to ignore her passion for the fashion industry.

Hehlen recalls how she got her start in her hometown of Los Alamos, New Mexico, a town much better known for its cutting-edge research facilities than interest in couture. “To give you some background, there’s a big science laboratory and people walk around in socks and sandals,” she says. “I remember approaching my local newspaper and asking them if I could write a column about fashion and they were like, ‘Uh, but what will you write about?’ And I had so many ideas ready, but they just had no clue.”

Her persistence paid off, and Hehlen created a successful fashion column that saw local people cluttering her email with questions about clothing and style. She recalls how this helped her realize her passion for the subject: “It was then that I discovered the joy of sharing fashion with other people and seeing the way that fashion can empower them. I would have neighbors knocking on my door, saying, ‘Oh my god, I’m wearing mom jeans!’ or I would get an email from someone saying they bought red pants and had no idea what the hell to wear them with.”

When Hehlen decided to go to UNC for its strong journalism and business programs, as well as her acceptance as a Robertson Scholar, a prestigious joint program between UNC and Duke University that awards participants with a full ride and immersive summer experiences, she thought fashion would stay a hobby. “I came to college and I thought that fashion would just be limited to my wardrobe,” Hehlen says. “I wanted to go into international relations and become an international correspondent. Then, I quickly realized that I missed fashion too much to just let it go like that.” Hehlen realized she wanted to work for a fashion publication on campus. The only issue? None existed at the time. This proved to be no obstacle for Hehlen, who got together with her best friend and decided to create a fashion magazine of their very own.

The new magazine would be called “Coulture,” and would stand as a rallying cry for those who love fashion but hate its narrow ideas of beauty. “We wanted something that wasn’t just like any other fashion magazine,” says Hehlen, “We wanted it to have a social aspect as well. We challenge beauty standards, and we accept models of all shapes, sizes and races. UNC has a diverse student body and we wanted to make sure that this magazine represented that.” “Coulture” not only differentiates itself with its fiercely body-positive and inclusive message, working to counteract the popular ideas, like what a “perfect” body looks like, that bombard young people in social media and magazines, but also because it’s entirely student run. The models, the writers, the photographers are all students and involved for no other reason than because fashion is what they love.

“Coulture Magazine” releases its print editions twice a year, and a veritable mountain of work goes into each lovingly crafted issue. Hehlen, as the editor-in-chief, no longer does much of the writing, but now oversees and guides the magazine’s overall aesthetic and artistic overtones. She remembers the fight to get “Coulture” off the ground her freshman year, though, when they had to scrape together money to print the first issues. “We didn’t have any university funding to do this,” she says. “We set our Kickstarter goal at $1500 and ended up raising $3000. The kickstarter really got us going. For the second issue, we ran into the money problem again. That’s when we met someone at the university who was about to start organizing a donation to create a fashion program within the journalism school. It was a serendipitous encounter that ended up working out in everyone’s favor. A part of the University’s extra-curricular component of those fashion courses is being with ‘Coulture’, so really, it was the perfect marriage.” Hehlen started with a staff of thirty and now oversees more than one-hundred-ninety people. “Coulture” now boasts its own office space and photo studio for students to work in.

The first and foremost goal of “Coulture” is to promote a wider idea of beauty. Hehlen says the staff pride themselves on featuring models of all sizes, shapes and races. They also put an equal focus on international and domestic aspects, moving away from a purely Western worldview. When asked about why their dedication to body positivity and diversity is so important, Hehlen responds, “If you’re featuring only a specific subset of models, you’re communicating fashion through a very, very narrow lens. And that’s very unrealistic. When you incorporate more models and more people and more perspectives, that’s when you start getting closer to the true nature of fashion, which is that it is widespread. Unfortunately, we have this standard that everything has to be perfect because, historically, that’s what has made people money.”

When asked about how her magazine promotes its value of accessible fashion, Hehlen first asserts that fashion is everywhere. The trends started by couture trickle down to the masses, meaning a blue sweater seen on a Prada runway can translate to the colors seen in the clothes you buy at Zara, to paraphrase from “A Devil Wears Prada.” “But from our angle,” she says, “In our photoshoots, we usually don’t feature extremely expensive items, or if we do, they’re often ethically and sustainably created. We try to make sure that everything is affordable. We want people to say, ‘Oh I could do that with my wardrobe.’”

As the magazine champions diversity, Hehlen must also be careful of an all-too-common pitfall in the fashion world—cultural appropriation. She explains how “Coulture” works to give traditional clothing the context and respect that it deserves. “We risk cultural appropriation when we start including items of clothing, specifically traditional items of clothing from different cultures, in our shoots. It’s harder to do a purely fashion-focused shoot with just those traditional pieces because you’re taking a bunch of pieces from different backgrounds and mushing them into one shoot with one theme. By doing that, you’re sort of imposing your own ideas onto them. And that can easily turn into appropriation. What we do instead is choose to feature people in conjunction with the clothes.” “Coulture” aims to do photoshoots that feature, for example, a person from Nigeria wearing what makes them feel at home. They craft personalized stories about why certain articles of clothing mean something, as opposed to the common practice of just dropping traditional pieces into stories with no context.

Hehlen, and many of those holding leadership positions at “Coulture,” are seniors. A big challenge in the upcoming year will be preparing the organization to pass onto a new group of people. While it is certainly nerve-wracking to see something so dear to your heart move to different hands, Hehlen is hopeful for the future. “Next semester, we’re really letting the new people take over and run the show while we’re there to help them,” she says, “When we leave, I hope that ‘Coulture’ is just going to keep growing. I think that at the end of the day, people find it very valuable. People are always asking for us to make more content. I think we’re really making some people feel empowered. And all I can hope for is that we keep doing that.”Read more at:red bridesmaid dresses | green bridesmaid dresses

11:55 AM . 12, 2017 - 0 - [ ]
Picture: AFP.
(Photo:formal dresses brisbane)

While a cheaper pair of sunnies can look just as good as an expensive pair, it’s rather their quality we should be concerned with.

Lenses that are simply dark, but not polarised (protecting against UVA and UVB light) do more harm than good – by shading our eyes and causing the pupils to dilate, they in fact allow in more harmful UV rays.

Spending a little more on a quality polarised pair that blocks out 99 to 100% of UV rays is an investment in your health. Here the experts from Maui Jim tell us why good sunglasses are more than a fashion accessory.

1. Skin cancer prevention

Where’s the one place we don’t apply sunscreen? Around our eyes! This leaves the thin, delicate skin around them, as well as the eyes themselves, unprotected. In fact, 5 to 10% of all skin cancer occurs around the eyes.

Look for the Skin Cancer Foundation seal the next time you shop for sunglasses, and select a high-quality brand of polarised shades. Wrap around styles are even better, as they offer even more coverage and protection.

2. Keeping your eyes younger for longer

Sunlight contains blue light, also known as high energy visible (HEV) light. We need a certain amount of exposure to help regulate our sleep and wake cycles. It also helps boost alertness, heightens reaction times and elevates mood. But cumulative exposure has been associated with age-related macular degeneration, so wearing polarised outdoor lenses that absorb HEV is important to maintain long-term eye health.

3. Helping you see and drive better in the dark

Normally our eyes fully adapt to darkness within 30 minutes. But being in bright sunlight without adequate protection for two hours or more significantly lengthens the time it take our eyes to adjust to indoor and night-time light levels.

By protecting our eyes with polarised lenses, we keep this adaptation period short, which improves our vision and makes it safer for us to drive at night.

4. Reducing the risk of accidents

The sun’s glare interferes with our ability to see and react to other vehicles and hazards on the road – especially after a storm when water is involved, as it reflects up to 100% of UV light. So choosing a pair of polarised sunglasses that completely block out both UVA and UVB rays will solve this problem.Read more at:formal dresses melbourne

1:25 PM . 11, 2017 - 0 - [ ]
SKN gala
(Photo:bridesmaid dresses australia)

The SKN Foundation’s Annual HOPE Gala will honor special-needs children and their families with a designer fashion show for adults and a special program with the children. The gala will be at 6 p.m. Sept. 22 at The Marigold, 315 Churchill Ave.

The event will benefit the Special Needs Community Outreach Program for Empowerment (SCOPE).

"Special-needs children and their families are, historically, more isolated, and through the SCOPE program, we hope to create an accessible support system for South Asian families,” said Dr. Naveen Mehrotra, founder of the SKN Foundation.

The Shri Krishna Nidhi (SKN) Foundation is a nonprofit organization with a mission of promoting the “wellness of the person and community through education.”

The guest of honor will be Indian actress, humanitarian and former Miss India Juhi Chawla. She will model fashions and walk the runway, as the “show stopper" for international fashion designer Joy Mitra. In turn, Mitra will debut a special collection he created just for the cause.

Special-needs children will also walk the runway in their individual styles, created by Mitra.

“What an amazing opportunity for my son," said Radha Lath, mother of Aditya Lath, one of the children in the fashion show. "I am so proud of him every day, and walking the ramp, dressed up so fabulously, allows him to know that we love him just as he is.”

Indian television host, actress and model Mini Mathur will be the celebrity host for the evening.

"Parents of special-needs children have an unbelievable level of grit and determination as they face daily life issues, and I am honored to be shedding light on some of their challenges at the SKN Foundation Gala," Mathur said.

Chawla is known for her philanthropic work in India, as well.

“Helping people brings more happiness than any material thing," Chawla said. "Sharing is the true path to spiritual growth and happiness.”

This is the second year that Sonalika Ahhuja, president of Beyond Media, will be the event organizer.

“After last year’s resounding success, we find that this year, our focus is very near and dear to all parents’ hearts,” she said. “The outpouring of love and support we are receiving fills me with such gratitude.”

The annual fundraiser supports one of three things important to South Asian families — cancer support and awareness, special-needs support, or diabetes awareness and support, Ahhuja said.

“We rotate themes every year. This year’s gala benefiting special-needs kids will help provide special-needs children and their families education, support and socialization,” she said. “Last year, our event was sold out, and we hope to sell out this year, too. Ticket sales have been good, but we are still taking sponsors.”

Tickets start at $175. There will be a red carpet, cocktail hour, dinner, an opening dance by special-needs kids, the fashion show with Mitra and a mini question-and-answer panel with special-needs kids’ parents, several speeches and more.Read more at:formal dresses online australia

6:15 AM . 8, 2017 - 0 - [ ]
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When Yamilca Rodriguez gets her way, Louisville will add fashion design to the city's list of notable achievements alongside bourbon, horse racing and basketball.

Her vision? A shared workspace studio that will encourage others in the Louisville area to explore and collaborate in the fashion industry.

The fashion designer plans to open the co-working space, Louisville Bespoke, in mid-September in Germantown.

"Louisville Bespoke is meant to be used by anyone who touches fashion," Rodriguez said. "From clothing to shoe designers, milliners to wearables, photographers, bloggers and entrepreneurs in the fashion field. Our city is full of people doing great work."

And a shared workspace, Rodriguez said, is "the way to collaborate," and save money for people starting out in their trade.

Rodriguez is the latest entrepreneur to jump on the co-working trend, which was relatively unheard of about a decade ago.

In 2007, there were only 14 co-working spaces across the United States, according to Forbes. Today, there are over 11,000, and the trend is growing — by 2020, it's expected there will be more than 26,000 spaces hosting 3.8 million people.

Each new space is "another step forward in growing Louisville’s startup scene and thus the regional economy," said Lisa Bajorinas, vice president of entrepreneurship and talent for Greater Louisville Inc., the city's chamber of commerce.

GLI doesn't track the exact number of people using co-working spaces in the city, but the number of facilities is on the rise.

The power of shared space

Sharing space helps cut down on dozens of costs including rent, heating and cooling, the purchase of equipment, tools, and job-specific machines.

“For startup founders in the early stages of building their companies, a co-working space can be a great option for a host of reasons," said Brittain Skinner, commercialization director for EnterpriseCorp, the entrepreneurial arm of GLI. "It provides a defined workspace, shared basic resources and, in co-working spaces that provide meeting rooms, a more professional space in which to meet early customers or clients."

Louisville Bespoke joins a growing number of Louisville co-working environments that cater to inventors, video designers, chefs, artists and a host of self-employed individuals.

Chef Space, 1812 W. Muhammad Ali Blvd., is a shared commercial kitchen in western Louisville for food entrepreneurs to cook and create in a space that's better equipt than their home kitchen. It's home to a wide range of entrepreneurs, from V-Grits vegan food to saucy and delicious chicken wings from Daddy Rich's.

FirstBuild, 333 E. Brandeis, is a micro-factory and think tank on the University of Louisville campus backed by GE Appliances. This innovative lab is open to anyone over the age of 18 (or accompanied by a guardian if between the ages of 13-18) for access to tools, including Makerbots, Electronics Benches and Universal Laser Printer.

FirstBuild was the factory behind a $9,990 pizza oven where temperatures soar between 800 and 1300 degrees to bake a perfect pie in two minutes or less.

If you're more into tech or are a video game designer, there's a shared work space for you, too. Warp Zone Louisville, 607 W. Main St., is another shared space in downtown Louisville where members have 24-hour access to the workspace to create video games and host events such as meet-ups and game launches.

Community for creative minds

Milliner Sarah Havens started her hat-making business 22 years ago from her home.

"But there came a point when I realized I felt isolated and I wanted to be able to leave the distractions of my home and have a separate place to go to do my work," she said.

Today, Havens' workspace is a glistening white, 550-square-foot studio in the former Hope Worsted Mill building, 1000 Swan St. in Germantown. The old textile factory has high ceilings and large windows offering lots of natural light.

Rodriguez will join Havens in this space when she opens Louisville Bespoke.

Last year, Rodriguez raised $10,000 through a Kickstarter campaign that allowed her to purchase two high-end sewing machines.

Havens' millinery equipment, plus large tables for cutting fabric, industrial irons, and a section of the room set up for fashion photography complete the co-working space.

When Louisville Bespoke opens, a final and essential ingredient will be added: people.

"Having other creative minds around helps to increase my own creativity," Havens said. "It's a healthy type of competition."

Typically, individuals pay an hourly or monthly fee to use space and equipment in a shared workspace, with the bonus option to brainstorm and network with others in their field. Louisville Bespoke charges between $75 and $550 depending on what you use the space for and how often.

Louisville Bespoke will also offer classes to help artists better use social media and YouTube to market their product and a variety of sewing classes, leather making and more.

Francis Lewis, owner and executive designer of Ann DeEvelyn Clothing Company, said she would have appreciated Louisville Bespoke when she first started designing and sewing a decade ago.

"I had to buy a very expensive type of sewing machine, which I really only need to use once or twice a month," she said. "It was very hard to afford when I was first starting out. What Yamilca is doing will be extremely helpful. It will help remove some of the financial stumbling blocks."

As more self-employed workers ditch the traditional office environment – or their kitchen table – for a more economical, social and inspiring environment, expect to find a growing number of co-working businesses around town.

"By sharing a workspace, equipment and ideas, I believe Louisville's fashion scene will grow in ways we can't even image," Rodriguez said. "Louisville Bespoke is something I have dreamed of creating for a very long time and I am so happy that dream is about to come true."Read more at:simple formal dresses | online formal dresses

8:57 AM . 5, 2017 - 0 - [ ]

Mrs Gabon, Gwen Madiba was named first runner-up in Saturday night’s Mrs Universe pageant in Durban, South Africa.

Gwen is a TV host, global entrepreneur and a human and women’s rights activist is one of 84 women that took to the stage for the Mrs Universe 2017 title.

The theme of Empowering Women, Creating Change featured prominently in every activity leading up to the Mrs Universe World Final.

For the first time in its history, the Mrs Universe contest took place on African soil. The glitzy event was staged in the coastal city of Durban.

Guests were treated to a feast of fashion, design and colour as contestants lit up the stage with their incredible traditional ethnic wear.

Costumes ranged from awe-inspiring to awesome, dazzling to daring, expansive and exhilarating to bold and barely-there, and dazzling to daring.

Mrs Gabon, Gwen Madiba was named first runner-up in Saturday night’s Mrs Universe pageant in Durban, South Africa. Picture: Abhi Indrarajan

Guests were entertained by proudly Kwa-Zulu Natal performers including the C-Live dancers, the Champions Pantsula Dancers, performers from the Kumari Shiksha Dance Institute, Indlondlo Zulu Traditional Dancers and Dangerous Curves dancers. Vocalists, Samantha Landers, Bongekile Mabaso and Nokulunga Ntuli had feet tapping and heads bobbing.

The Mrs Universe pageant celebrates married women between the ages of 25 and 45 who are doing phenomenal work to uplift and enhance their local communities through CSI initiatives, business development and global trade opportunities.

43-year old Mrs Vietnam, Tram Hoang Luu, burst into tears when she received the coveted Mrs Universe crown. Mrs Gabon, Gwen Madiba was named first runner-up and Mrs Pakistan, Taiba Noorulian Sheheryar was second runner-up. Mrs France, Anastasia Gorshkova and Mrs India, Shaveta Athwal, rounded off the top five.

South Africa was represented by Durban wife and mum, Trisha Poona, who was placed in the top 25.

Mrs South Africa, Trisha Poona, showing off her traditional ethnic wear at the Mrs Universe contest. Picture: Abhi Indrarajan

"Let tonight be the night that Africa celebrates its women and women empowerment,” says Tracey-Anne Aggett, the woman who was responsible for bringing Mrs Universe to Africa for the first time.

As Mrs Universe Hosting Director: Africa, Aggett had campaigned tirelessly to bring the activist-themed event to South Africa and to use it as a platform to draw attention to the global scourge of violence against women and children.

“We are extremely humbled by the support we’ve received to stage this event on African soil for the first time. Each of the contestants here tonight is a winner – for overcoming incredible odds to succeed and for making meaningful contributions to their respective communities to bring about positive change.”Read more at:queenieau.com | beautiful formal dresses

11:04 AM . 4, 2017 - 0 - [ ]

Sarah Kagunya, is the CEO of Ellah Creations, a company that specialises in cards, jewellery and cake. She talks to us about what drives her passion

MY BACKGROUND

I earned a degree in Food Science from the Jomo Kenyatta University of Agriculture and Technology between 2004-2008. I later studied for a diploma in Graphic Design at Academy Of Graphics Technologies between 2011 – 2013. I have worked as a nutrition consultant and as a creative and graphic designer.

THE IDEA

Just before graduating, I got a job as a nutrition consultant and because I knew the contract was only for a year and two months, I began applying for jobs in advance but I never got one. It dawned on me early on that I needed an alternative source of income. I have always loved fashion; I am creative and good with my hands. I began making jewellery and selling it. I love giving personal gifts to friends and family and I realised there were no cards in the market that I liked so I started making cards. My first designs infused a lot of kitenges and bold designs and slowly by slowly I began to grow my client base and that was what inspired me to go back to school and study graphic design.

I kept on applying for jobs but I would get ones that did not pay well or nothing at all. I eventually got a job as a graphic designer, and the experience helped me grow my art. However, I had my son in 2012, and doing a 9 to 5 job and a business on the side became overwhelming. I would find myself working throughout the weekend; I would lock myself in a room to work and go out to meet clients instead of spending time with my son. Then weekdays became hectic. At one point I was waking up at 3am to work on new orders before heading to work. It became too much not just for me, but my son was suffering.

WHAT HAPPENED NEXT

In 2015, I finally put my money where my mouth was and officially began Ellah Creations, and left employment.

RUNNING A START-UP

Lack of office space was one of the biggest hurdles when I was starting up. I would be at Café Deli in town usually from 8-12 to meet clients, it was a hustle but you have to make it work. Another challenge is in picking people to work with. As a person who makes cards you have to deal with printers and I learnt the hard way that you cannot work with just anyone. Some people who you meet in the industry are all about short cuts and that will end up giving your brand a bad name. Now I have a team of five who understand my need for excellence.

WHERE I AM NOW

The business has grown; now I am also doing cakes. I specialise in soft cream cakes for bridal showers, baby showers and birthdays. Making cakes grew out of my love for hosting people at my home, and from what I studied in campus.

Additionally, my clientele has grown, now we even have international clients. I recently had a client, a Kenyan who lives in America. He found us on social media and after seeing pictures of my work, called me and sent money, and after we worked on his wedding cards we shipped them to him. When we started our clientele was 80 per cent from referral and 20 per cent from our social media platforms, but now we have 60 per cent from referrals, and 40 percent from our social media platform which means we have a growing social media following.

MY TIP

Be persistent, and work with what you have, if you do not have an office, find somewhere you can meet clients like a coffee house. Advertise on social media. Also do not get offended when you get rejected, not every person you approach or who approaches you for business will be a client, rejection is part and parcel of running a business. All you can do is give your best, and clients will come. Lastly, surround yourself with people who believe in your dream.Read more at:red formal dresses | white formal dresses

11:27 AM . 1, 2017 - 0 - [ ]
Contestants for the title Miss India Worldwide Kenya with event choreographer Bhargav Joshi. PHOTO | COURTESY

The Miss India Worldwide Kenya (MIWK) pageant was launched in 2000. But after that, there was a 15-year hiatus that only got broken two years back.

This international beauty-and-brains pageant was revived in 2015 and Saturday night, the final competition for the 2017 MIWK will be held at the new Diamond Plaza 2 in Parklands.

It took the 24 year old 2015 MIWK award winner Aliza Rajah to confirm the continuity of this unique beauty competition. She organised both the 2016 contest and is working on the current MIWK.

The Kenyan winner will head to New York City to the Miss India Worldwide headquarters where the pageant will feature among finalists from 40 countries.

The 40 are countries where sizeable Indian communities reside and contribute to their respective economies. Among the countries to be represented at the finals are Australia, Canada, Spain, South Africa, UK and USA.

Aliza didn’t win in New York in 2015. But that didn’t dampen her appreciation for the competition. On the contrary, at last Saturday night’s press conference at the new Concord Hotel, she explained how she’d received so much in the process of going to the finals that she wanted to keep the competition alive for young Kenyan women.

“I felt like ‘a winner’ irrespective of whether I’d won or lost the contest,” she said. “Just being part of the event was an eye-opening experience,” added Aliza who now runs the MIWK contest through her company, Eventique. She also has a fashion line and a website. She also runs the Shesha Lounge in the Concord Hotel.

Finali Galaiya, 22 won the 2016 edition. She also did not win in New York. She’s been inspired ever since by a question at the MIW finals: “What would you do to bridge the gap between Asian and African Kenyans?”

She was challenged to the extent she now works with a number of charities, including one foundation led by Sarah Obama, the grandmother of the former US President Barack Obama.

Both Aliza and Finali say one of the most important things they gained from the pageant was self-confidence. It’s a quality that the MIWK choreographer and coach Bhargav Joshi, 25, hoped he’s instilled in the 10 contestants during the rigorous three-week training he just went through with them.

Aged between 17 and 26 years, the young women have been coached in everything from verbal skills, poise and presentation to walking the runway. On Saturday night, they’ll be wearing both Indian and Indo-Western fashions provided by Suvidha of India and Shenu Gadu of Nairobi respectively.

Joshi also taught them to perform together for the Saturday event, which is open to the public. Yesterday they displayed skills at the MIWK Talent Night at Concord Hotel.

A number of contestants last Saturday night appeared confident and calm. Most of them were students, like Hiral Gohil, 20, who is studying Business at the United States International University and is also a freelance artist.

Shivani Shah, 20, is a student of International Relations at Nottingham University who spends half her year in school; the other half she spends in Kenya working with charities like Freedom from Hunger and the Helping Hands Trust.

Shivani is also a former NTV children’s show presenter. She ‘anchored’ the G3 show from aged nine up until she was 18.

Judges who’ll be participating in both the Talent Night and tomorrow’s final pageant are a well-kept secret. Aliza would only disclose that they include members of the media, the arts and the business community.

The main sponsor of the Miss India Worldwide Kenya is Crown Paint.

Tickets to the MIWK pageant can be obtained tomorrow night at Diamond Plaza 2 or before the event either from the Concord Hotel or Shenu Fashions on General Mathenge Drive.Read more at:formal dresses | pink formal dresses

10:35 AM . 1, 2017 - 0 - [ ]
Roshini Kumar and Tanmayi Reddy

After open mic nights in people’s living rooms, the latest in thing within the city are charity pop ups. For the ones not familiar with the term, these are all about showcasing and promoting local talent, with the motive to uphold a cause. Known as The Open House, they allow city-based people to indulge in music, comedy and art, to find entertainment while benefitting the underprivileged too.

“Having been from the creative field myself, I have a firsthand experience of the challenges one has to face. Hence the initiative to just pave the way a little for local talent,” shares Tanmayi Reddy, who is one of the main organisers of the initiative. “One of the biggest issues with artists and performers is definitely networking and networking with the right people. Our main aim is to provide these artists a space and exposure to elements that can be used by them for professional purposes in the future,” adds the city-based fashion designer who has always been passionate about arts and causes.

Started by Tanmayi and her friend Roshini Kumar, their sartorial venture was a “for artistes, by artistes” initiative. “Giving artistes the scope for a dialogue between them and the audience is what makes these pop-ups so much more intimate,” believes Roshini who is also a full time photographer when not creating platforms for local artistes. “It means a lot when the base for an interaction is created and the audience is actually interested in knowing about the efforts and inspirations behind an artist’s work – about what they do and how they do,” she adds.

The concept is simple. Held on a designated Saturday, artistes from both Bengaluru and around the country perform their art. It could be music, painting, illustrations, designs and even food stalls and entrepreneurial pep talks. From comedy to craftsmanship and workshops – they collect revenues that are used exclusively to contribute to a chosen charity for every session. “Our artistes are kind enough to also contribute generously from the profit they make at the event,” shares Yamini Gowda, one of the organisers. “This time we are working with the Solidarity Foundation who provide support to sex workers and sexual minorities. They work closely with the LGBTQ community and offer grants to sexual minorities, enabling them to have a better lifestyle.”Read more at:formal dresses perth | formal dresses canberra

10:09 AM . 31, 2017 - 0 - [ ]

Since its debut, it has become a regular favourite of the fashion crowd. As the brand takes its next steps into the mainstream, opening its first pop-up store at 35 Thayer Street in London’s Marylebone this week, Drapers speaks to founder Haeni Kim to find out how the business has rapidly blossomed into a cult fashion favourite.

How did Kitri come about?

Kitri was born from a frustration of not being able to find well-made, distinctive designs that don’t break the bank. There are plenty of options on the high street for cheap fast fashion and lots of beautiful, but mostly inaccessible, designer brands (price-wise and design-wise) so I felt that there wasn’t really a brand my friends and I could go to regularly. With Kitri, I wanted to create our dream brand, somewhere we can find classic sophisticated styles with playful and fashionable details that you won’t find millions of other people wearing, at an accessible price point but with great fit and quality.

What was your background before launching the brand?

I came to England from South Korea when I was very young to pursue my dream of being a ballerina, but eventually gave in to my love for fashion. Once I knew I wanted to start my own fashion brand, I worked in various roles across different sectors of the industry, from high-end designers to mass market, value-driven retailers, to get as much experience as possible. I worked in sales, marketing and finance, as well as production in the Far East to get a 360-degree view before launching the brand.

What’s the ethos of the brand?

Premium product, premium service at not-so-premium prices. Producing a brand that people are proud to be a part of.

What would you say were some of the core principles of the brand?

As a team, we always focus on building a brand that we will be proud to be a part of in 10 or 20 years’ time, and have fun while doing it. I hope this comes across.

You describe yourself as a small team of creatives. How does this work in practice?

It certainly isn’t easy; we are a small team with big ambitions so we are incredibly busy at all times. I believe having a small team makes us more agile and communicative. We all sit in the same studio and can come together to work on ideas as a team very quickly and we learn from our mistakes and successes.

How are you showcasing the brand in the new pop-up?

This is our first chance to meet our customers in real life so we are very excited to share our world with them and learn from them. Our customers are discerning fashion lovers so we wanted to showcase not only our current collection but our past and even upcoming collections, to give people a real sense of who we are. We have different sections of the store where she can try on samples and tell us which styles are her favourites. We also have scheduled programme of talks and shopping events in store so we hope to get to know our customers well.

Why did you decide now was the right time to trial a store?

We only launched six months ago so it may seem a little early to open a pop-up store. We are first and foremost an online fashion brand but the offline experience is also very important to us. We are a direct-to-consumer business so it made sense to open a temporary store. There is so much noise in the digital market and I think it’s the best way to differentiate us, so that the customers get to know us and we can understand them and hopefully serve them better.

What are your plans from here – do you think you’d ever open a permanent store?

I would love to have a permanent store in the near future. Opening a physical space comes with a lot of different challenges to launching a website but I have really enjoyed the creative process and seeing it unfold and come to life. I don’t think it would be right for us to have a traditional concept of a store on every high street, but it would be amazing to have a flagship in every city.

What would you say is your favourite piece in the current Kitri collection?

My current favourite is the Myrtha Midi Shirt Dress. I have always loved shirting and it’s something our customers seem to love as well. This shirt dress is a modern take on the traditional silhouette, with a long zipper running through the front. The gathering around the bodice and the sleeves adds a feminine touch to what can be considered as a very masculine style.Read more at:formal dresses canberra | black formal dresses

11:46 AM . 30, 2017 - 0 - [ ]

A proponent of artisanal crafts and clothing, Rashmi Varma has adopted the cloth and given it context, character and identity. She uses natural and handwoven fibres to construct garments and give them a fluid idea of feminity, geometry and abstraction. Her love for reinvention being an integral part of her aesthetic, she uses the past to make way for the future, especially for Indian clothing, which is steeped in history and culture.

The ‘Sari Dress’ is one of Varma’s most prominent creations. The garment has been around for ages, in various forms and materials, but over time its lack of convenience has surpassed its beauty. This is where the sari-dress bridges the gap between the past and the present. Enraptured by its pleats and drapes, Varma combined the sensibilities of the West’s simple sheath and India’s regal drape for this amalgamation. What’s striking is its simplicity is that it can effortlessly be worn anytime you want to play dress up and possesses a sense of groundedness which doesn’t take away from its novelty as a functional design. In a way, Varma has preserved our heritage and tradition without having stuck to the textbook, making the design her own instead.

Garb talk

“I was around four when we were travelling from Montreal on an aeroplane and I insisted on wearing this little navy blue skirt and blazer suit because it felt so official and sharp. Even then, I knew it would attract a certain level of attention. I had been coming to India all my life to visit family and explore the country, but I moved here permanently to start my label five years ago. India is definitely challenging on many levels and even after five years, I still feel like I am “adjusting” at times. Running a business all on my own and navigating through city life gets frustrating sometimes, yet creatively, it has been very liberating. I’ve learned to take each day as it comes.“

Growing along the way

“Costume designing was a serendipitous development as it was not something I had set out to do originally. After working in architecture/interior design, I decided to pursue my love for clothing and worked in fashion as a freelancer. As long as I was doing something related to fabric, I was content. This paved the path for some stray styling and costuming projects for small theatre performances and short films. Through hard work and connecting with influential people, better work started to come my way and I spent several years working in film before moving to India in 2012 to start my label.”

Reinventing tradition

“There are many Indian garments that I am inspired by, therefore, the aim is not to “contemporise” them, but merge certain elements with other garments to create something different. I try not to think too much about traditional versus modern; everything has to have a relevant context to my work. The sari dress is a good example of melding two styles and creating a fresh one that functions differently from a sari but has the essence of it. The sari dress is not a replacement of the sari or a contemporary version of it. It is about giving women the incentive to wear it more regularly. Employing the original term as part of our name helps us maintain ties with our source of inspiration.”

The aesthetic

“Rashmi Varma is a womenswear label with respect for artisanal craft culture. Our silhouettes often combine tailoring with drape giving rise to unique sculptural garments. Richly textured and tactile; geometry, abstraction and a restrained use of colour emerge with the use of natural fibres, hand woven cottons and silks, and embroideries. Present in each collection is a love for light and shadow, geometry and a hint of the absurd.

My studio-office is sequestered in Shahpur Jat in New Delhi and is surrounded by the constant buzz of of activity but I never get bothered by it. 95% of the work is done inhouse right from designing, embroidering and cutting to sewing and finishing. We work with weavers from around the country and the rest of it is completed at the studio so that we maintain a high standard within a comfortable workspace. “Read more at:one shoulder formal dresses | yellow formal dresses

11:10 AM . 25, 2017 - 0 - [ ]

If you asked Erika Wolf and Alex Orbison how they met, they'd have different stories. Alex would say they met in 2003, outside Point Dume Chinese, when Alex's yorkie tried to bite Erika and he shot out the line, "Maybe she's a great judge of character." (To which, Erika had a memorable retort.) But if you ask Erika, she would say they met on February 14, 2004, when Alex asked her to be his Valentine while she was pumping gas. (She said no, and he wrote his number in the dust on back of her car.) Following this encounter, the Malibu natives had several run-ins over the years before ultimately reconnecting in New York City 10 years later. In July 2013, Erika won Alex over for good with a Louis CK joke, and in September 2016, Alex proposed at Headlands of Point Dume in Malibu, their favorite spot on earth. "Its beauty is overwhelming and there's no place I could better imagine beginning our new chapter together," Erika says.

After their Malibu engagement, Erika and Alex, the son of Roy Orbison, considered a California wedding—but their friends begged them to do it in Nashville, where they now live. "They were curious about this new hub they heard about and were tired of familiar Malibu weddings," Erika explains. So on May 13, 2017, the California natives said "I do" at Bloomsbury Farm, a working organic farm just outside Nashville. "There's a certain magic about it there," says the bride. And since their guests wanted to get to know the Southern city, Erika and Alex gave them a weekend's tour—from welcome drinks on lower Broadway to the day-after brunch at their home. Keep reading to see the couple's Nashville wedding (with Old Hollywood vibes!), as photographed by Sarah Falugo and planned by Jessica Sloane—and the design-oriented bride of course!

The bride hand-selected each piece of her bridal ensemble, just as she did with every other bit of the wedding. She wore a cape by Alexandra Grecco, a top from Leanne Marshall, and a skirt by Nashville-based designer Olia Zavozina. "I looked exactly how I wanted to feel," she explains. "I was so particular about the shape, style, and vibe, and I just knew when I saw it—I felt transported to another time!"

Erika wore an engagement ring and wedding band from her two grandmothers, as well as an 18th-century gold locket (her first gift from Alex) and a gold bracelet from her friend's jewelry line, Jen Meyer Jewelry. "Jewelry was my main accessory," Erika says. The final touch was an art deco gold brooch, a day-of gift from the groom that she added to her birdcage veil.

The bridal bouquet (of roses, peonies, and viburnum) perfectly coordinated with the bride's look and the venue's natural setting.

Before Erika walked through the meadow to meet Alex at the altar, she took a minute to spin around in her amazing cape!

The bride created custom invitations—starting with the wedding's crest, which was inspired by the "O" in Oribison and featured all the things the couple loves (their Studebaker Lark, yorkie Gracie, poodle C'est La Vie, a bass drum, Roy's guitar, and more).

Erika entered the ceremony site on her own, but walked the last 20 paces with her mother and father. The couple included readings by Khalil Gibran, Roy's late father's favorite poet, in the Ketubah and exchanged vows they'd written themselves. And, of course, they personalized with the music. "We had the rare and serendipitous opportunity to be planning our wedding while the Royal Philharmonic Orchestra and Roy Orbison were making a record," Erika explains. They selected five tracks from the upcoming record, which will be released on November 3, 2017, and included them throughout the ceremony. "Our guests didn't know they were getting a sneak peek," she says.

The groom always envisioned himself in a baby blue tuxedo like the one in Dumb and Dumber—yes, really! "This was quite the task," explains Erika, laughing. Thankfully, Erika and Alex discovered a custom suit tailor in Los Angeles that was able to recreate the look in a chic way. "He made our greatest tuxedo dreams come true," Erika says.

The couple's 1961 Studebaker Lark (an engagement gift) was front-and-center on the big day, as the couple posed with it for portraits and the bride took it to the ceremony.

When brainstorming ideas of unique escort cards, the bride had an idea: Chandelier crystals! The execution was more difficult than she imagined, but Erika took the DIY project on wholeheartedly—sourcing the crystals, buying the hooks, stringing them together, and adding each chain. "It was one of my favorite parts of the day," she says.

"Our reception was its own little town—from the cocktail hour pavilion to the dancing area, we rang string lights from the trees to connect the spaces and make a cohesive little universe," says the bride. On the tables inside the tent, Erika worked with planner Jessica Sloane to create tables lined with gold and brass bud vases (all sourced by Erika at antique malls!), gold flatware, and gold china. Each was also topped with a black table cards (featuring the couple's crest) and black taper candles. "I was very hands on," Erika says. "I put my twist on everything."

The newlyweds posted up at a sweetheart table as their friends toasted them with their signature cocktails—the "Barbara" and "Roy," named for the groom's parents.

The couple cut into a strawberry sour cream pound cake, which was decorated with flowers and, of course, strawberries.

For their first dance, the music lovers selected "Maybe I'm Amazed" by Paul McCartney but also snuck in a dance at cocktail hour, when their favorite Western swing band, John England & The Western Swingers, was playing. "They played the best old country you could ever think of—Johnny Cash, Hank Williams, Pasty Cline, and more."

The real dance party got started with the Horah. "When it came time for the Horah, Alex looked at me confused," Erika remembers. "I told him to sit down and enjoy the ride and it was quite simply the best five minutes of my entire life."

For the late-night dancing, the bride slipped into a vintage jacket that she found at Lily of Happy Isles Salon. Erika adds, "I later found out, according to the designer, that the jacket was originally designed for Princess Diana but gifts weren't allowed at the time!" The statement piece now sits in the couple's living room, along with their matching silver sequin shoes from the rehearsal dinner.

And, of course, a night this epic deserves an epic exit, which Erika and Alex planned in the form of a sparkler tunnel. As for what the bride learned from her five months of planning, she has this to say: "Take your time, take your time! My girlfriend gave me this advice and I didn't listen—but I sure learned the error of my ways."Read more at:backless formal dresses | purple formal dresses

9:24 AM . 25, 2017 - 0 - [ ]

Cindy Crawford has collaborated with Redone, proving the perfect pair of jeans are definitely out there — at least now they are. The queen of '90s denim, Crawford’s collaboration makes total sense, and the best part, the partnership came about via Instagram. “I remember when I was obsessed with my red-tag 501s, and Levi’s were all we wore. So when I started following Re/Done on Instagram, I posted a picture of me in old Levi’s from back in the ‘90s with a caption like, ‘I was doing Re/Done before Re/Done.,’” Crawford tells Vogue US. Founders Sean Barron and Jamie Mazur saw the post and approached Crawford for the collaboration. So far, the Cindy/Redone capsule collection is waitlist-only, but hurry, because supermodel-approved jeans don’t stick around for long.

Australian eyewear brand Epokhe has released a pair of sunglasses in tribute to the late professional skateboarder Dylan Rieder. The Dylan Zero shades are named after Rieder who died at the age of 28 from leukemia. Reider designed the sunglass frames with his friend and founder of Epokhe, Dion Agius. All profits from these limited-edition shades will go toward the Dylan Rieder Foundation, which supports individuals battling leukemia.

Goop has responded to claims by a US health watchdog that its products are deceptive and mislead customers. TINA (Truth in Advertising), a nonprofit health watchdog, has filed a complaint against Gwyneth Paltrow's brand Goopfollowing an investigation of the brand. They say Goop claims its products "treat, cure, prevent, alleviate the symptoms of, or reduce the risk of developing a number of ailments" and argues Goop "does not possess the competent and reliable scientific evidence required by law to make such claims." A Goop spokesperson has issued the following statement in response: "We responded promptly and in good faith to the initial outreach from representatives of TINA and hoped to engage with them to address their concerns. While we believe that TINA's description of our interactions is misleading and their claims unsubstantiated and unfounded, we will continue to evaluate our products and our content and make those improvements that we believe are reasonable and necessary in the interests of our community of users."Read more at:formal dresses sydney | formal dresses brisbane

10:39 AM . 22, 2017 - 0 - [ ]

The 25-year-old model has joined forces with the fashion house, which are known for their sportswear garments, footwear and accessories, to create a 10-piece capsule collection inspired by music, art and travel.

According to WWD, the blonde-haired beauty has been desperate to partner with the label to design products she thinks are essential for when she is jetting off across the globe, and the catwalk icon has been very hands on throughout the creative process.

The brand's womenswear global design director, Kelly Summer, said: "She is honest and focused on what she wants. Plus, she is with us every step of the way through the design process. With a common influence from London and California, we are aligned on our inspiration for Volcom and Stone Row, so it's been a great partnership. From initial concept, right through to the photo shoot, we have plenty of touch points with Georgia to make sure this collaboration is something she is proud of."

And the company are honoured to have Georgia on board the project because she is their ideal muse as she shares a "love" for all the activities Volcom target with their merchandise.

Kelly continued: "Georgia is the Volcom muse. She represents our girl from her love of the ocean to skateboarding, music and art and, of course, fashion. By working with her for multiple years, we are able to build an organic relationship and focus on storytelling. Georgia has mass appeal and gets Volcom and Stone Row in front of a broader audience."

The Stone Row x Georgia May Jagger capsule features a feminine slip dress, as well as a metallic raincoat and track jacket, which is available to buy online and in store now.Read more at:formal dresses online | bridesmaid dresses online

11:47 AM . 21, 2017 - 0 - [ ]

The Spring Fling is preparing to showcase floral frocks, shiny shoes and eye-catching accessories on the catwalk.

The show at Nelson College for Girls is in its sixth year of entertaining and will feature new season fashion from local and New Zealand outlets to fundraise for the school.

Last year the event raised $11,000 from ticket sales, sponsorships and raffles going towards upgrades for the school.

Spring Fling co-ordinator Jo Wiffen said she hoped this year they could equal that to help enhance areas around the school including sun shades, drinking fountains and seating options.

Funds would also be used to purchase equipment for teachers and students.

She said the evening was "very fun" with a great atmosphere.

"It's sort of not like your typical fashion show you'd see overseas. It's done in a very fun way, and we encourage the models to have a bit of fun on the catwalk."

Wiffen said the show had grown in popularity.

"Word of mouth spreads how good it is."

Local personalities including Green Party candidate Matt Lawrey and jeweller Glen James will be strutting their stuff on the runway along with teachers, models and students. Former student Lucy Fitzgerald will be showing her new label, Lucy Georgina.

Fitzgerald finished at Nelson College for Girls in 2007 before studying for a diploma in fashion design at the Southern Institute of Technology.

In 2014 she launched her first label and in September 2015 created her label Lucy Georgina.

Fitzgerald said she was looking forward to the event.

"When I was at school that was my favourite subject, sewing. It's quite cool to be able to be a part of it." Read more at:queenieau.com | bridesmaid dresses australia

12:49 PM . 17, 2017 - 0 - [ ]

How does one review a resort/festive line? Should one look at wearability or new elements of surprise? In a season when everything looks beaded and sequinned and appliqué embroideries have become almost every label's signature element, it's refreshing to see a designer wreaking a jolt of some off-kilter creativity.

On day one of Lakme Fashion Week, designer Masaba Gupta turned her gimlet-eyed focus to the Sakalava tribe face paintings, rich flora, fauna and imagery of Madagascar. The Print pioneer who has in the past focused on cars, cameras, lipstick, toffee, mirchi and Husain paintings, this time toyed with paintings, figure murals, linear grass prints, abstract foliage and birds. However, the difference this time was that her prints were streamlined and stunningly realised adding a polished edge to the outing.

Mrs Mantena's show started with whites and peaches and moved towards festive pinks and greens with her signature metallic gold and silver accents. From the opening balloon-sleeved maxi with a key hole on the bust to the white tulle capes to figure-flattering cholis with pants, the line had enough cool separates like draped kurtas and polo necks teamed with drop-crotch pants.

The shine on silks sprinkled with sequins and gold thread work set the festive mood.

The highpoint was definitely the corseted belted saris teamed with off-shoulder blouses with ruffled sleeves. The Masaba bride is feisty, fun and fearless, she likes to the style her look the way she wants to. One can't bracket her into a boho category or give her a hipster tag. She's her own person. Masaba, who often derives inspirations from her travels had an image of a soft Gothic vision of a bride, who's strong and not a conformist dresser. Easily one of her strongest outings in recent times. Complementing the eclectic ensembles were cutting-edge jewellery pieces by Misho Designs. The tribal music added vim and verve to this high-voltage outing.Read more at:bridesmaid dresses australia | australian formal dresses

11:59 AM . 16, 2017 - 0 - [ ]

She’s been a Victoria’s Secret ‘angel’, walked for a zillion designers around the world, appeared on countless magazine covers and will marry fiance, DJ Ruckus (aka Greg Andrews) next year.

“It’s always special and exciting to come home as I don’t get here very often and being away from home is really hard for me. I aspired to be like Megan Gale or Miranda Kerr, always.”

But there is one thing the Melbourne-born, globally renowned model can’t live without: it’s her portable gym.

“The most important thing I travel with is my gym,’’ says Shanina.

“It goes wherever I go. I have ankle weights and normal weights and resistance bands and I pack them all up in my little suitcase and I take it all with me.

“You can do all of these workout routines on your hotel room with a minimum of fuss.”

“It is part of my job to be fit and ready and have energy because I do travel so much.

“If there is a swimsuit shoot or a summer shoot coming up I know I have to work consistently so I work with my trainer. I just Skype and Facetime with him from wherever I am, so it’s not difficult once you get into a routine.”

As far as eating is concerned, and contrary to being one of ‘those’ models who can eat what they like, Shanina is very conscious about what she puts into her body.

“I just like to eat healthily and I notice it in my energy and in my skin and I want to look great as well,’’ she says.

“I eat pretty much vegan right now but I am pescetarian too as I am still eating fish and eggs.

“I recently went to a nutritionist as I am certainly not perfect and with so much travel it really grabs a hold of my energy and not feeling well at times. So vitamins are really important to me.”

Shanina’s one weak spot when it comes to food is her sweet tooth.

“It’s really bad,” she says. “I am such a dessert person but I really have to watch myself that I don’t go over the top when it comes to all things sweet.

“I eat in moderation and exercise in moderation, but I don’t deprive myself. It isn’t so much a diet that I am I, but a lifestyle decision.

“Being healthy is 80 per cent of what you eat and the rest is about the gym and exercise.”

Shanina’s fiance, DJ Ruckus, with whom she recently shared runway with at the David Jones fashion launch is as equally into ‘health’ as she is.

“He has one of those bodies where he can eat what he wants,’’ she adds.

“He has like a natural six pack which is infuriating but he is very good with his eating,’’ she laughs.

“He’s eating quite vegan although he does love his carbs.”

Shanina says everyone wants to live a healthy and happy life and says it’s great to see so many millennials seriously interested in staying healthy.

With wedding bells in the air for the toned-up duo, major details are still under wraps but one thing is for sure: the nuptials won’t be happening in Australia.

“Maybe my fiancee is making it bigger than I maybe want it to be,” she laughs.

“But it will be one fantastic huge celebration, that is for sure, and we’re still not quite sure when or where.”

While Los Angeles is currently Shanina’s favourite ‘other’ home, “I’ve done what I’ve needed to do in New York,” she adds. “I can imagine settling down and having children in Los Angeles.”

So when it comes to life-lists, is Shanina a big planner?

“I am a big dreamer and I write down all the things I do and don’t like but I’ve realised it is so important to live in the moment,” she says.

“Social media is obviously a big and important part of my working life but I find it hard and sometimes difficult to keep up with it,’’ she says.

“Having a dinner with my fiancee or friends is a no-go zone when it comes to social media.

“I recently went to Bali where they have this one religious day where ALL social media and electronic is turned off and it was the best thing ever. It was just good to be ‘in the moment’.

“It’s a business at the end of the day as social media can show your personality, sure, like I’ve been booked by photographers through my Instagram feed.

“But being in charge and taking charge of your social media is so important but not let it rule your life.”Read more at:queenieau.com | bridesmaid dresses australia

9:55 AM . 15, 2017 - 0 - [ ]

Last seen in Raabta, Kriti Sanon is now gearing up for the release of her upcoming film Bareilly Ki Barfi. While she is on a promotional spree along with co-stars Aayushmann Khurrana and Rajkumar Rao, she has also managed to serve us up some fashion inspiration on the side. Going by her recent appearances, the 27-year-old actress seems to have opted to go quirky and boho-chic and, boy, are we impressed! From gypsy princess to nature warrior, Sanon is embracing unconventional prints and how!

The actor looked absolutely beautiful in a printed crop top with cut bell-sleeves and a pair of navy blue palazzo pants from the house of Pallavi Jaipur. Styled by Sukriti Grover, Sanon kept her hair mid-parted and poker straight and completed her look with minimal accessories and strappy flats. Did she give off a gypsy princess vibe? Yes, she did.

She had also opted for a printed Egyptian Khadi dress from Nautanky by Nilesh Parashar. With splashes of teal, purple, yellow and red on the dress, she looked like a nature warrior in the beautiful green number. Styled by Grover, she kept her make-up fresh and minimal, but the beautiful statement neck-piece from Minerali Store was lost among the colours of her outfit. Sanon opted for juttis from Needledust to go with her outfit.

Keeping her boho-game going, Sanon chose to go for a look comprising of a regal pink dhoti and crop top combo, that she paired with a floral jacket — all put together by Anoli Shah. Styled by Grover, she chose to wear wine-red juttis from Fizzy Goblet and a stunning pair of earrings from Purab Paschim. It is kind of a let down that while she could experiment with her hair, she is choosing to keep it poker straight — safe and humdrum. The golden and silver thread-work on her top adds just the right amount of bling to her outfit.

Sanon also experimented with layered fashion choices, as part of the promotions. Sanon chose a navy blue number followed by layers of yellow and then teal towards the end. With a tassel-ended scarf around her neck, she paired the number over orange separates, thus giving off a free-spirited vibe in her layered look. Styled by Grover, she tied her hair into a high-raised bun and wore colourful Sangeeta Boochra earrings. While the look overall seemed a little dishevelled, it sure gave her an unconventional vibe.Read more at:formal dresses online | long formal dresses australia

11:08 AM . 14, 2017 - 0 - [ ]
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(Photo:online formal dresses)

From the embroidery work that goes on the wedding dress to the crockery used to serve the guests, the D-day invites perfection in even the most little things. The pearl white smile of the blushing bride and groom is one such detail that needs to be perfect and experts suggests how.

Priyanka Goyat from Rejove Clinique and Somvir Singh from Postgraduate Institute of Medical Education and Research, Chandigarh, share tips on how one can make the day even more special with perfect teeth.

Avoid staining elements

Cut back the consumption of deeply pigmented beverages like soda, coffee and tea and some foods like blueberries, cherries, and soy sauce as these are the ones along with alcohol and cigarettes responsible for enamel thinning, and making the teeth more susceptible to stains. If you can’t completely avoid staining beverages from your diet, either try having them with straw or get your teeth clinically cleaned every three months.

Go well with the water intake

Increasing water intake at least one month prior to the wedding will not only make your face glow but will also let your teeth sparkle to their fullest on D-day. Even on D-day, staying well hydrated will keep your lips and mouth all moistened up, easing it out for you to smile.

Take good care of dental regimen

Whether or not you opt to go with the teeth whitening treatments to enhance your smile, it’s important to keep up with proper care of the teeth. This includes daily routine like brushing at least twice a day with proper rinsing, and flossing.Read more at:bridesmaid gowns

11:32 AM . 11, 2017 - 0 - [ ]

The September issue of W magazine is all about the future.

The Condé-owned fashion title teamed with the creative technology studio The Mill and photographer Steven Klein to create what is being billed as a “special collector’s issue” that fuses print and digital through augmented reality. Readers are encouraged to download an app, made especially for this project, that scans the printed page to activate video extras and interactive special effects.

“The issue is part of our larger strategy of making every issue of the magazine a unique experience — something collectible, something that is not disposable,” said editor in chief Stefano Tonchi. “I think that this is a great space now that so many of our readers, really I would call them users at this point, experience the magazine on their phones. So why not do it in a more W way?”

For example, scan the cover and watch Katy Perry recite Camus, while standing on a dark, surreal version of a Parisian street. “The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion,” Perry dramatically enunciates in the video.

“It’s about rebellion, it’s a call to act, which we love. It’s not one side or the other, it’s about action. It’s a very political moment in that sense. We like that young people are taking action and have opinions,” Tonci explained, of the Camus quote, which, he said, involved a lengthy back-and-forth with Perry and her team.

A second cover was made by creating 3-D scans of Perry’s head. By pressing different facial features after scanning it with the app, users find various extras, such as videos of Perry singing, or Perry dramatically driving. The shoot, which was one of creative and fashion director Edward Enninful’s last projects before leaving W to helm British Vogue, is, in keeping with Klein’s aesthetic, decidedly dark and moody — something that proved a challenge for the technology.

“That [darkness] is difficult in our world,” explained Sallyann Houghton, an executive producer at The Mill. “We like shiny, bright objects!”

The AR technology extends beyond the Katy Perry cover story. In a high-concept collaboration with artist Alex Israel, one of the last chimpanzee actors in Hollywood is photographed among the eerily empty concrete rooms designed by architect Tadao Ando, posing with Bill and Maria Bell’s impressive modern art collection. (Enlisting Israel, Tonchi said, helped convince the Bells to let W use their house and art collection). The arresting photographs illustrates a science fiction story by Jamie Brisick that imagines a world where humanity has left Earth, and art, behind — in keeping with the “Planet of the Apes” meets MoMA vibe. Scan those pages with the app, and watch a video installation. Other stories have similarly multilayered, and multimedia, features.

“More than ever, we want to take advantage of W being the oversized luxury leader, especially in print. We are never going to have the largest rate base because our focus is doing something special and a little more unique,” said Chris Mitchell, W and Vanity Fair’s chief business officer. “We want each one of these issues to feel like a special artistic event. We want to make W ‘printier.’”

“We have to rethink print for sure,” Tonchi added. “And this is just one of the ways we are doing it.”Read more at:bridesmaid dresses australia | formal dresses online australia

9:07 AM . 10, 2017 - 0 - [ ]

Though we are always in awe of models as they parade down the catwalk in exquisite designer wear, let’s face it, not all those sartorial pieces can be worn at typical brunch invitations, the boss’ parties or even when you’re trying to beat your girlfriends as best dressed. The fashion runway is pretty different from street style. So we’ve narrowed down on some summer fashion trends that definitely made headlines at major fashion shows round the world, but look just as glamorously wearable off the ramp too. Couple them with your own style or follow in the footsteps of your favourite designer; our 7 trending style elements will ensure you have something new to show off every day of the week. Apart from your gorgeous self, of course!

Bodysuits

As outrageous (but we’d like to call it cleverly innovative) as these new entries may look hanging out on their own, bodysuits can complement pretty much any of your bottoms – a pair of high-waisted trousers, a flowing skirt, and even denim shorts. The design allows for a rumple-free, smooth and seamless fit without making your waist look bulky. Comfortable, casual and stylish, all you need to do is pick your favourite fabric, colour and style and let this piece work its way to a perfect fit.

Puffed Sleeves

You know, the ones that look like you’ve breathed a gallon of air into. Though you might want to take it easy on the ‘gallon of air’, the runways didn’t shy away from some pretty voluminous puffed sleeves. Volume around the arms and shoulders draw attention to the torso, enabling you to ditch worrying too much about the bottoms. A trend that has easily found its way into a myriad of styles, cuts and designs, the puffed sleeve fashion exhibits itself in off-shoulder tops, closed-neck dresses and even jackets.

Florals

It’s summer, so we obviously couldn’t let this pass by could we? In fact, florals have manifested itself in some form or the other through the years. Flow-y, long, breeze-kissed gowns or short, summery dresses, the print is everywhere. Taking these blooms to a whole new level, designers went all out in dresses that wear floral from collar to toes (or should we say shoes). This year we also saw a lot of florals that took on a darker turn (and on some occasions, even a little Gothic). Set against blacks, maroons and even deep browns, these flowery prints have gone from just flirty to sensual.

Stripes

From bright, bold, colour-blocking stripes to the classic pinstripes, we saw most high street fashion brands showcasing an array of their favourite variant of stripes. Whether a pinstriped jumpsuit or one with a dash of vibrant stripes across the middle, they are all the rage. The versatility of this pattern makes them incredibly fashionable — whether as pinstriped formals or radically coloured beach wear. Remember, horizontal stripes make you broader and verticals give the illusion of a longer silhouette; so pair wisely.

Pink

Is the new black. And we don’t mean just Barbie-pinks and pastel peaches; we’re talking fuchsias, amaranths and anything that shouts a brilliant hue of pink. International designers have showcased the most stunning collections of pinks in shades we’re probably still looking up the dictionary for. What’s our advice to stay in trend with the colour? Find a shade that matches your complexion and just flaunt that pink. And if you can still not make up your mind, try a pale dogwood or a millennial; that’s once you’ve figured out what that is (wink).

Flatforms

Though sky-high flatforms have accounted for some major mishaps, in moderate inches, these shoes have been delightfully welcomed and have our feet screaming with joy. Probably a more comfortable way to add height without killing our feet, flatforms (not to be confused with platforms) made their big appearance as models strutted this style on catwalks. Now shoe-makers are incorporating them in colours, fabrics and designs that make them stylish and different from their boxy former version. Aren’t we glad not everything fashionable is painful!

Long chains and big pendants

Those chunky, oversized pieces that reach all the way to your bellybutton are the new statement pieces in town. There’s nothing minimalistic about these eye-catching, navel-grazing neckpieces. Charms and beads, a single massive stone or even a set of keys - as long as it is bold, big and boisterous, you’re following the trend perfectly well. These accessories don’t just accentuate your dress, they become the main element.Read more at:online bridesmaid dresses | formal dresses online australia

9:18 AM . 9, 2017 - 0 - [ ]

When it comes to sending a strong message through fashion, Anushka Sharma is one of the Bollywood beauties who have constantly made headlines. At a time when the ‘who is a feminist?’ debate is on in full swing, Sharma went ahead and wore a “We should all be feminists” tee for a cover shoot. Cut to now, the Jab Harry Met Sejal star seems to have embraced androgynous fashion and has created a perfect balance of chic and savage, posing for Elle India’s August edition.

Striking quite a pose in a beige pantsuit by Michael Kors over a white top, Sharma seemed absolutely in control on the cover. She chose to keep her make-up minimal and fresh and accessorised with a brooch from Chanel and a pair of boots from 3.1 Phillip Lim. She styled her side-parted hair into a sleek, tight bun and looked like the ‘ fierce bawse’ you should all be wary of.

The actor was earlier seen baring her toned back in a risqué Fendi dress with floral applique details in Fimfare’s July edition. At the time too, she chose to keep her make-up minimal, hair styled straight and centre-parted. She accessorised her dress with a ring from Louis Vuitton and velvet heels from Loubotin.

On work front, Sharma’s latest film Jab Harry Met Sejal co-starring Shah Rukh Khan and directed by Imtiaz Ali hit the theatres on August 4. Throughout the promotions too, Sharma maintained an impressive record of sartorial choices — from a velvet black slip dress to going the desi way by donning beautiful saris and kurtas — she experimented and experimented well.Read more at:sydney formal dress shops | australian formal dresses

8:33 AM . 8, 2017 - 0 - [ ]
Catinca Tabacaru
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Catinca Tabacaru didn’t take the predictable path toward becoming a New York City gallery owner. Born in Romania, she began her career as a human rights lawyer, working with the U.N. International Criminal Tribunal for Rwanda. During that time, she founded the nonprofit Women’s Voices Now, which aims to empower women living in Muslim-majority countries.

She has since pivoted to a career in the arts. In 2014, Tabacaru opened her namesake gallery in Manhattan’s Lower East Side , where she has committed to supporting emerging and young artists, and on Aug. 20 she’ll open a second gallery space in Harare, the capital of Zimbabwe. She’s been working in the Southern African nation’s arts scene for several years through the artist residency CTG Collective, which she founded along with Rachel Monosov and Justin Orvis Steimer. The residency pairs international and local artists to create works in collaboration and conversation.

“The world, I think, doesn’t really need another big New York gallery right now, but the world does need a really cool gallery in Zimbabwe that has an external-internal program,” she says. The Zimbabwean gallery is to foster an international artists’ residency, and exhibit the resulting works.

“I think there’s a crisis globally around supporting arts,” she says. “My hope is that it bounces back, that there’s conservation about it, and that people realize that art is vital, art is the expression of what’s happening in the world right now in a way that can generally be understood by people.”

WWD: How do you dress for work now versus five years ago?

Catinca Tabacaru: Five years ago I was a lawyer, so I dressed in suits that were fairly boring. I’m way cooler now. I’m much more interested in unique looks and some element that is funky or cool; something that matches the aesthetic focus of the art world as well. It’s literally the difference between the desire to be normal and the desire to be abnormal. As a lawyer, you kind of want to blend it for so many reasons; in the art world you want to stand out for so many reasons.

WWD: What would you say is the biggest influence on how you dress for work?

C.T.: How I feel in the morning. I’ve been known to show up at work in high heels and a superprofessional suit, I’ve been known to show up in a flight suit. It really depends on my mood. Sometimes it’s influenced by the show itself.

WWD: How do you shop for work clothes? Is it pleasurable for you?

C.T.: No. [Pause] That’s not fair. I’m a bit of a creature of habit when it comes to these things. I kind of like pick a shop and that keeps me alive for a year and then switch. My current obsession is Tictail, which is four doors down. I made this decision awhile ago that I support young artists, and I encourage people to support young artists and buy young artists, so I want to reflect that in my fashion. I tend to buy clothes from emerging designers. I really like nice shoes though. I like good quality and I like young designers.

WWD: Is there much overlap between work and off-duty clothes for you?

C.T.: Yes. My entire life is overlapped — it’s definitely in my fashion, it’s in my friends, it’s in my time and energy. I don’t have a lot of separation between work and “nonwork.” At this point I have very few relationships or activities that are not somehow connected. In general, it’s kind of all intermingled, so the same thing with fashion. I’m obviously a little sloppier off work, and purposefully so. To some extent, when you come to work, you think more about how people see you and react to you, versus, “I don’t care what my friends think.”

Having an art gallery, in the end, no matter how you swing it, it’s still a sales position. While I don’t work my life that way or my community doesn’t necessarily feel that way, money is the blood of what keeps the gallery alive, and what keeps the whole system alive. So someone’s more likely to buy art from me if I’m looking put together. And I’m more likely to sell art if I’m looking put together. It’s a different mind-set. I dress the person that I am that day.

WWD: Do you have any favorite shops or designers?

C.T.: When it comes to shoes, I’m really big on Chanel and Prada. It’s the only time I’d drop those kind of labels. In shoes, they’re just really important, they’re masters of their craft. In terms of clothes, I’m varied. And it’s typical, I’m wearing two young designers and Prada shoes.

WWD: Would you say you follow fashion trends? Do you prefer to stay true to your style?

C.T.: No, I don’t follow fashion trends, although I don’t think any of us are immune to them. I definitely feel when something is out of fashion and no longer feels good to wear it. I’m not wearing bell-bottom jeans anymore. I kept one pair from the Sixties just in case. The trendy clothes that I have, usually my mom sends me. I have a mother and sister — my sister is in fashion, she works for Emilia Wickstead, and my mother’s really into shopping and fashion, so that helps my wardrobe, as well.

WWD: What’s your favorite purchase for the last few months and why?

C.T.: The shoes I just got from Tictail are awesome. Very comfortable, very cool, very trendy, pointy flats. I bought some winter shoes from [the same designer] as well. The other thing is my mother’s gotten super into costume jewelry, especially Oscar de la Renta, so I have all of these necklaces in all sorts of enormous shapes.

WWD: If you were given a choice, would you dress more formally or casually?

C.T.: I prefer an elegant casual. Especially when I can fix funk with elegance, I really like that. I really like a softness, and flowiness, a funkiness. I’m not big on what you should wear, and I’m not big on constraining pieces, I want to be able to move.Read more at:cheap formal dresses online

8:37 AM . 7, 2017 - 0 - [ ]

When it comes to fashion and beauty, women are always spoilt for choices. They always have a lot of options to chose from. And having more choices mean that the wardrobe is always filled with stuff. Clothes, accessories, jewelry, footwear and so much more. We have always given you some suggestions on the must haves for women in terms of fashion. This time we will tell you the basic essentials that every working woman must have in her wardrobe. For every working woman on the go, just follow stock up these things and you will always look stylish.

A white Tee or shirt

A white tee or a shirt is a must have in every working woman’s wardrobe. You cab team it up with anything and also opt for a mix and match. A white tee/shirt worn with a formal jacket and pants will make you look the true corporate fashionista.

A Tote bag

One big tote bag is all you need to keep all your daily stuff. You can opt for block colors which is perfect for a corporate look. It is handy and also comfortable for women who take commute in public transport.

A stylish Watch

Be it casual or formal, we believe that any look is complete only when you put on a stylish watch. It adds a touch of class and glamour to your overall look. Just go online and you will find a variety of options for watches.

A good pair of heels

A stilettos is another must have essential. It flatters your feet and your corporate looks classy AF! You could also opt for pumps or peep toes. Heel might hurt your feet after a point of time, so you could go for heels during meetings or conferences. Else keep a comfy pair of shoe handy. But just make sure you do have a sexy pair of heels.

A pencil skirt

Another wardrobe essential for working women is the pencil skirt. There are various designs to choose from. You can go for a printed skirt, stripes or a plain one. Wear a pencil skirt with a sexy shirt and heels and your corporate look is complete.

These are the 5 most important stuff that every working woman must have in her wardrobe. You will never fall short on different looks, because all these essentials can be mixed and matched based on your personal style sense.Read more at:year 10 formal dresses | bridesmaid dress

9:17 AM . 5, 2017 - 0 - [ ]

A wedding is a magical and special day for couples and hiring the right photographer will ensure the memories from the day will last.

These days most wedding photographers have websites with plenty of images from past weddings they have photographed. Elkin photographer Jennifer Kleinheksel of Jennifer K Photography suggests couples begin by perusing photographers’ websites to find what they like best. The decision also should be a personal one, Kleinheksel said.

“After you have looked through a ton of images online and have whittled down your possible photography choices, the most important thing, I think when selecting a wedding photographer, is that you meet with them in person,” she said. “This will give you a good sense right off the bat if they are the right one for you.

“This is one of the biggest days of your life, and your photographer will be with you every step of the way so make sure that your personalities match and don’t clash. They are a huge part of your wedding experience and day, so make sure that you like them as a person.”

There are many questions couples will likely want to ask of a potential wedding photographer. Here are the top five questions Kleinheksel suggests couples ask when booking a wedding photographer.

1. Does the photographer have a backup?

“By this, I mean do they have both a backup camera in case something were to happen to theirs while shooting your wedding, as well as if they have a backup person that can shoot for them if something were to happen to them and they can’t make it to your wedding day,” said Kleinheksel.

2. How many images will you receive from your event and how long after the event will the images, proofs, albums, etc. be ready?

“Each wedding photography studio varies in the time it takes to produce and deliver wedding images. Studios that do not do any post-production or color correction may try to entice you by saying your photos will be ready within the week, or even the next day. However, most professional studios that develop and produce their images will take anywhere from two weeks to six months,” Kleinheksel explained.

3. Does the photographer have insurance?

“Insurance protects not only the photographers’ equipment from theft, but it also provides liability protection in case a light falls over on Uncle Ned while he is cutting some awesome moves on the dance floor, as well as Aunt Janet if she were to trip over a photographers’ bag or light stand and break her leg,” said Kleinheksel. “If a wedding photographer does not have insurance, chances are they are new to the industry and have not shot a lot of weddings or they are not taking their business seriously.”

4. How are the photos processed and are the images color-corrected?

“Color correction is the most basic post-production, and should be done on every single image. If not done on every single image, or only on a select few, you may have a lot of pictures where skin tones are orange, yellow, red or even blue,” Kleinheksel said. “At my studio I color-correct every single image from the wedding day to make sure each and every image is a professional quality product.”

5. How many weddings has the photographer shot and have they photographed at the location where the event is being held?

“Weddings are very hard to shoot and a lot can go wrong, so it is important that your photographer have a lot of experience and be able to handle all of the small or big problems that can get thrown at them during a wedding day,” Kleinheksel said. “It can also be nice, although not necessary, for your photographer to have worked at a venue before. If they have shot at a venue before, they will know where they can or can’t go to photograph, as well as if there are any restrictions for use of the property. They will also already have ideas for where to get some great shots. That being said, if your photographer has not been there, they may be willing to go to the facility beforehand to get a general lay of the land, which will aid them in photographing your day.”Read more at:online formal dresses | bridesmaid dresses australia

10:22 AM . 4, 2017 - 0 - [ ]

The wife of the former PM opened the doors to her £1.5 million Cotswolds cottage to Harper’s Bazaar, giving a rare tell-all interview to the publication about Cefinn - her fledgling label - and her lifelong interest in fashion.

“I wanted to be an artist or a designer from an early age,” she told the publication. “In fact, my earliest memory is having the most terrible tantrum aged three when I insisted on wearing a beach dress to nursery school in the middle of winter, when it was snowing outside.”

It wasn’t until 2010, when she was pregnant with Florence, that Mrs. Cameron decided to pursue fashion designing full-time - resigning from her role as creative director of upmarket stationers Smythson.

With more time on her hands, she revealed to the publication that she began to take weekly pattern-cutting lessons in the Downing Street dining-room.

“I bought a basic sewing machine and then an overlocker (which joins seams) and a dressmaker’s dummy, and over a couple of years I shouted and screamed at the sewing machine and spent my time trying to hone those skills.”

A friend recalls: “She used to spend all her spare time in that room, listening to 6Music and experimenting with ideas.

“She would make up her dresses in plain cotton and try them out on her friends - and also wear them herself at private gatherings, always canvassing for opinions and making tweaks here and there.

“She really is just very good with her hands, a natural artisan. So her clothes are genuinely designed by her.”

Proving that she’s her own best advert, Mrs. Cameron appears in the September issue of the magazine dressed head-to-toe in Cefinn, which is named after the initials of her children.

The former PM's wife is pictured drinking tea in her country garden wearing a £210 blouse from the Spring/Summer 2017 collection.

She previously told Vogue that she launched the fashion label to offer something new to British shoppers.

“I felt that there was a lot of American and French brands out there that fit that bracket of designer contemporary with the right price point and the right styling, but there aren’t that many British brands which fill that space,” she said.

Mrs. Cameron also revealed to Harper’s Bazaar that when it comes to modern day fashion icons, First Lady Michelle Obama is her ultimate inspiration.

“Michelle is brilliant because she’s so confident and she’s got such dignity and intelligence but she embraces fashion and isn’t scared of her femininity,” she said.Read more at:year 10 formal dresses | formal wear sydney

10:27 AM . 3, 2017 - 0 - [ ]

“Will you marry me?” may have been music to her ears, but if we are to be really honest, the four words that every bride-in-the-making really wants to hear is, “Let’s go trousseau shopping?”

For the uninitiated, a trousseau (derived from the French word ‘trousse’ meaning bundle or case) refers to the paraphernalia of clothing, linen, and other essentials collected by a bride ahead of her marriage, which was traditionally packed in hope chests. Wealthy Victorians even practised the tradition of displaying trunks loaded with linens, china and clothes as part of the wedding festivities, in an event that was monikered ‘trousseau tea’.

Since times immemorial, curating an enviable trousseau has been the first order of business for most brides-to-be; one where she ideally does not want to spare any expense. For instance, when Italian noblewoman Catherine de’ Medici married into the French royal family in 1547, the Pope (also her uncle), had to utilise funds originally meant for the fortification of Florence to pay for chests of lace, silks, bed linen, and jewels. American-socialite-turned-Duchess-of-Windsor, Wallis Simpson’s trousseau boasted 66 trunks of clothes and accessories by Chanel and Elsa Schiaparelli. Closer home, Maharani Gayatri Devi’s wedding trousseau was bursting with sheets from Czechoslovakia, Ferragamo shoes and bags from their factory in Florence, and mousseline de soie nightgowns from Paris.

For the modern bride, it is also about balancing this extravagance with a sense of practicality. Yes, the process does start out as all fun and games. But once the rose-tinted glasses come off and the novelty wears off, the realisation dawns that trousseau shopping, is in fact, a bride-to-be’s dream come true and biggest nightmare rolled into one.

Sure, it’s an excuse to go all Blair Waldorf or Cher Horowitz (take your pick) on your credit card, but nothing can quite prepare you for the overwhelming wave that is waiting to wash over you once you enter this sea of infinite options at your disposal. “I thought this was supposed to be fun—shopping has never been such a daunting and dreaded task for me before,” an exasperated soon-to-wed friend recently confided in me. So our guide is the ideal starting point for a bride-in-distress. Ditch the haphazard approach and tread one step at a time to keep any bouts of PTSD (post trousseau shopping disorder) at bay.

Draw up a list

Physical lists are highly underrated. Just take our word for it, and go old school with this one. Get yourself a personalised wedding planner if it helps. Dedicate separate lists to every area of your trousseau—think clothing, handbags, footwear, jewellery, make-up, bed linen, crockery, and other miscellaneous must-haves. Then move on to meticulously breaking down each list. Your clothing list should be further divided into Indian wear, everyday western wear, occasion wear, honeymoon clothes, swimwear, and so on. Assign a quantity to every last item on your list, but always value quality above all else. Since the list will set the tone for the shopping to follow, practicality should reign supreme. Don’t waste check boxes on whimsical items.

Take stock of what you already have

If your mum is of the quintessential Indian variety, chances are that she started curating your trousseau long before Mr Right even entered the picture—an exquisite Pashmina shawl from her last trip to Gulmarg, an elaborate silver dinner set from Bhattar that she has been adding to for years, a Jim Thompson toiletry set acquired in Bangkok, Murano showpieces from when your favourite aunt went to Italy, and on the list goes. Tick these off (phew!) your list already.

Set a budget

This is perhaps the most arduous part of the process. No one despises number crunching more than a bride, but it has got to be done. “I’ll get married only once,” will seem like a good enough reason for everything from buying an exorbitant exotic skin designer bag to wiping out Harrods’ beauty department. The urge to splurge will be stronger than usual; so tap into your very last reserve of self-restraint. We aren’t asking you to cut corners, but to exercise sensibility when allocating funds to various aspects of your trousseau. More pragmatic, less pompous is the dictum to swear by.

Do your research

‘Being spoilt for choice’ does not even begin to describe the sheer volume of options that will be thrown your way. Put on your Sherlock hat and do some serious digging around. Get recommendations from recently married or fashion-savvy friends, use the Internet and social media to compare collections and prices, and conduct a preliminary recce of what stores and bridal exhibitions are offering. This will ensure that you don’t end up with impulse purchases you regret later.

Create a game plan

Now that you’re armed with adequate ammo, you can confidently march onto the battlefield. Every item on your checklist should be assigned a deadline, but be strategic when doing so. For instance, sale season is an opportune time to shop for clothes, especially traditional occasion wear. Anything that is made-to-order should be a priority on your timeline. Delivery delays are bound to crop up, so factor that in. Use a trip abroad to stock up on lingerie and international brands (one can’t be thankful enough for VAT refunds). If you aren’t travelling yourself, identify friends or family members who you can ship certain items to. Aim at wrapping up all your shopping at least a month before the wedding. That way, you still have a buffer period if end up running behind schedule.

Now would also be a good time to add finishing touches to your trousseau. Order blouses for all those chiffon and Benarasi saris your grandmother passed on to you, order plastic covers to store your Indian wear in, and have the jeweller polish all your bridal sets.

Be open-minded

While it helps to have a clear idea of what you want, being rigid will only be counter-productive. Leave room for sweet surprises—be open to brands, styles, silhouettes, and designs you probably never considered before.

And while you may fall in love with a certain brand or trend, don’t go crazy just yet. There is something to be said about variety, after all. The end game is to create a trousseau that is as versatile and classic as it is up-to-the-minute. Balance is more than a buzzword in this case.Read more at:online formal dresses | bridesmaid gowns

11:09 AM . 2, 2017 - 0 - [ ]

The 22-year-old model has admitted she used to be "super girly" but after being signed to Models 1 at the age of 14 she has started to tone down her everyday style and "not care" about the outfits she wears.

Speaking to The Debrief about her wardrobe choices, the brunette beauty said: "Before I was modelling I was that girl that was super girly, I wouldn't leave the house without make-up and I would wear heels just to go shopping. And I feel having this job has forced me to not care, which is weird because people would think because you are a model you would care so much about what people think.

"I feel like comfort is my main priority because when I am on set I'm always in sometimes the craziest clothes because after a long day of working and after when I get back into my clothes I want to feel my best."

And the fashion muse follows the same rule with her hair and make-up, and she will take a break from wearing cosmetic products when she is not working.

She explained: "When I'm not working most times I'm so exhausted I just wasn't to give my hair a break, my skin a break and I just want to blend in."

However, the star has revealed when she has dressed down for a spot of retail therapy she has noticed the sales team have treated her differently.

Neelam explained: " Sometimes, I'll just be dressed in a tracksuit and trainers when I'm not working, and I can go into a high-end, they give me a bit of attitude and I think that 'Oh she can't afford to buy anything'. Whereas I've been in other times really dressed up and the sales people are really attentive, so you definitely see a change."

And the catwalk icon feels she has become a "character" when she goes on set of a photoshoot and is completely transformed after being styled by hair and beauty experts.

She said: "I go into work really understated and then I have hair and make-up and styling, clothes can really transform you. I almost become a character, because some fo the clothes are so strong and structure. I don't really get shy."Read more at:formal dresses online australia | bridesmaid dress


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